DIRECT HIT ZINE

LONG TIME NO SPEAK

2010-03-19T13:36:00.000-07:00

Well, I don't know if you have noticed or not. But it has been quiet round here for a while. Don't worry, action will start shortly.
Look out for loads of reviews and whatnot.

PUNKS NOT DAD -

2009-07-10T05:56:00.000-07:00

PUNKS NOT DAD – IN ME SHED (DIGITAL DOWNLOAD SINGLE ONLY)

Are the kids laughing at all us old punks? Are the old punks not settling down? Are they having kids and still being punk dads? We can only speculate on this new craze, or is it a mid life crisis? Who knows, but it’s still fun as hell for us and testimony that punk isn’t dead, or should that read punks not dad? Instead of retiring to our sheds to look at porn, plant some flowers were kicking out the jams (probably making some strawberry jam too). If you hear a noise from next doors shed, be warned – it could be some ageing punk. There’s even a cool video to go with this, featuring none other than Lisa Rogers – I would have thought that Bill Oddy would have been more appropriate.

BOSS TUNEAGE, PO BOX 74, SANDY, BEDS, SG19 2WB, UK.

WWW.BOSSTUNEAGE.COM

SOUTHPORT - ARMCHAIRSUPPORTERS CD

2009-07-10T05:54:00.000-07:00

SOUTHPORT – ARMCHAIRSUPPORTERS CD

First new full length in over 10 years and boasting members from UK stalwart bands BLOCKO, SNUFF and MIDWAY STILL – is enough for any fan of tuneful melodic songs. In between some hard hitting LEATHERFACE styled moments, is a trip of up beat 60’s tuneage and late 70’s mod fare – all dished up with style and flare. The song ‘White Lightning’ is nothing short of fantastic and my favourite song on the whole CD. Though this is a full length of well crafted and passionate songs, which didn’t instantly hit me – but you know those songs that take a few plays usually end up staying with you longer. Being pretty much the same age as these guys, I’m as much a supporter of armchairs myself.

BOSS TUNEAGE, PO BOX 74, SANDY, BEDS, SG19 2WB, UK.

WWW.BOSSTUNEAGE.COM

GANG GREEN - SOLD OUT 7"

2009-07-09T12:58:00.001-07:00

GANG GREEN - SOLD OUT 7"
One of my all time fave records.

GAN -

2009-07-08T05:02:00.000-07:00

GAN – DO THAT AGAIN. AGAIN!?! CD

Before the explosion of grunge, never mind the explosion of Green Day there were bands doing melodic poppy punky h/c and before it became a clique that was bastardised. GAN were one of those bands, full of youthful energy and teenage angst. With their hearts on their sleeves and fingers on the right chords they riffed their way through a collection of fine tunes and probably broke the hearts of many a Descendants female fan. Here we have a collection of 24 songs, from their vinyl output back in the day – sounding great and sticking memorable tunes in your head while you go about your business. A really nice booklet full of photos, lyrics etc only complements the innocence of this time, when it was real and before the bandwagon jumpers latched on. Awesome covers of Bad Religion, Nena etc.

BOSS TUNEAGE, PO BOX 74, SANDY, BEDS, SG19 2WB, UK.

WWW.BOSSTUNEAGE.COM

VARSITY DRAGE - ROCK AND ROLL IS SUCH A HASSLE CD

2009-07-08T05:00:00.001-07:00

VARSITY DRAG – ROCK AND ROLL IS SUCH A HASSLE – LIVE IN EUROPE CD

Ex – Lemonheads man Ben Deily and co playing songs live on their last European tour. Recorded in Austria and sounding bloody great. If you liked the last CD, then you will surely appreciate hearing them in a live setting.

BOSS TUNEAGE, PO BOX 74, SANDY, BEDS, SG19 2WB, UK.

WWW.BOSSTUNEAGE.COM

THE SHITTY LIMITS - BEWARE THE LIMITS CD

2009-07-08T04:57:00.000-07:00

THE SHITTY LIMITS – BEWARE THE LIMITS CD

There’s been a real buzz going about this band, which I seem to have missed out on – like they’ve already released a handful of 7”s and with this CD it’s my first time hearing them. I can honesty understand what it’s all about, as they are one hell of a band. If, like me, you’ve been living in a cave and haven’t cottoned on, well they have an explosive mix of 60’s garage, 70’s punk and 80’s hardcore a potent mixture for sure. Great songs, body moving beats, pit cracking fury, chanty melodies that are all wrapped up and executed with passion and heart. I can only imagine that you would have the time of your life if you attended one of their gigs. The packaging is pretty minimal and stark, but they let the music do the talking. Wonderful CD.

BOSS TUNEAGE, PO BOX 74, SANDY, BEDS, SG19 2WB, UK.

WWW.BOSSTUNEAGE.COM

STUPIDS - THE KIDS DON'T LIKE IT CD

2009-07-01T04:54:00.001-07:00

STUPIDS – THE KIDS DON’T LIKE IT ……. CD / LP

The kids might not like it, but I sure as hell do. Quite possibly the come back record of the decade and it makes me feel great that these old guys still kick ass and surpass bands half their age. Totally great ripping tunes, which you would be totally stupid not to like and I can indulge and pretend I’m a young kid too. It includes the “Feel The Suck” 7”, which continues to blow me away – being the fantastic tune that it is. There’s quite an array of sounds going on, savage Agent Orange style melodies (ahem), 80’s styled mayhem done Californian style and plenty of up beat thrashers that are cut up and pasted with a fresh modern vibe that is oozing with life and will make the stiffest person want to jump around. An insight to the trials and tribulations of life which are full of sarcasm, humour and some of the best lyrics they’ve written. A welcome return and done in style, keep it going guys.
BOSS TUNEAGE RECORDS

WWW.BOSSTUNEAGE.COM

DEEP SLEEP - THREE THINGS AT ONCE CD

2009-06-30T08:09:00.001-07:00

DEEP SLEEP – THREE THINGS AT ONCE CD

There’s a saying that two’s company, three’s a crowd. Well that doesn’t apply to this DEEP SLEEP CD, because three’s definitely good company here. One of my favourite current bands at the minute and I’ve loved them since I bought their ‘You’re Screwed’ 7” a couple of years ago. Since then, they’ve released the ‘Manic Euphoria’ 7” and the brand spanking new ‘Paranoid Futures’ 7” – all on my favourite current label GRAVE MISTAKE RECORDS who has released this CD and compiled them all for us. This nifty package includes reproductions of the covers of the 7”s, lyrics, photos – just the way it needs to be done when doing these discography type releases. There are 21 songs here that showcase how DEEP SLEEP have honed and crafted some incredible songs that have a stripped down melodic sound, which is catchy and memorable. Each beat is heartfelt and the melodic riffs are coupled with some times frantic blasts of rousing hardcore beats, that ooze mini anthems in a day and age where the scene is awash with apathy and nothing else. A marriage made in heaven of sounds influenced from the likes of ADOLESCENTS, DESCENDENTS, ANTI, BLACK FLAG and countless more. This fantastic anthology is mandatory purchase and definitely well worth your hard earned cash.

GRAVE MISTAKE RECORDS, PO BOX 12482, RICHMOND, VA 23241, USA.

WWW.GRAVEMISTAKERECORDS.COM

STUPIDS - FEEL THE SUCK CD/7"

2009-03-23T14:42:00.001-07:00

STUPIDS – FEEL THE SUCK 7”/CD/Download

The first thing I’ve heard from these silly people since their return from the dead. 3 fun packed songs, with cool chord changes and neat beats. Marty is back in the gang again and it’s back to the good ole days, but more polished and modern sounding. No lyrics, but I’m sure they’re pretty ‘stupid’ anyway – it’s like the saying if it ain’t broke ….. I thoroughly enjoyed this and it’s great to see them storming and in great form. Like the old saying, check it out man. They are still available for weddings etc. Available on groovy coloured vinyl (which should brighten up your turn table), CD and download – so you’re spoilt for choice and have no excuse to hear it.

While you are at it, check out their back catalogue on Boss Tuneage.

WWW.BOSSTUNEAGE.COM

F.U.A.L. FUCK UP AND LIVE CD

2009-03-23T14:38:00.000-07:00

F.U.A.L. – FUCK UP AND LIVE CD (BTRCS038)

Back in the late 80’s, from the ashes of Stalag 17, rose F.U.A.L. who set alight the stagnant Northern Irish scene with their blend of tuneful and uncompromising full on punk. This release compiles their self released ‘Veganic Wind’ (a Warzone jobby of course) and their self titled LP on Meantime Records. A mixture of fast, melodic and skanky beats, with passionate female vocals which stand out amongst a sea of macho insecurities, that was rife the world over. Lyrics that reflected the struggle and strife that was life (or the so called excuse for life) over here that was prevalent in the 1980’s. Amongst the almost feeling of being suffocated by so many strands of society, F.U.A.L. offered hope for the ordinary person, the belief to stand up for themselves, make their own society and not get drawn into the web of bigotry that clouded so much of life over here. A remake of the old Stalag 17 song “And The Birdie Said” is as wonderful as ever. “Suffer The Children” still creates a knot in my chest, as it still happens throughout the world. I shook many a fist and danced a drunken jig at loads of their gigs back in the day. Lots of good memories have been awoke from the slumber of times gone by with the release of this wonderful CD. Hopefully it will do the same for you and if you are new to them, I hope it gives you the same thrill that they gave me back in the day.

WWW.BOSSTUNEAGE.COM

DESOLATE VOID - NO SIGN OF BETTER TIMES CD

2009-02-11T12:30:00.001-08:00

DESOLATE VOID - NO SIGN OF BETTER TIMES ... CD (CAH064)
A very apt title for the times that we live in. The way things are at the minute a little escapism now and again is a good thing. I don't mean going out and getting fucked out of your head all the time, but music I feel is the best way. A little bit of metal anyone? Desolate Void thunder forth, flailing guitar solos, coupled with some seriously good rhythmic bass licks and stomping drumming. There's moments of death, thrash and metal metal here. Featuring Crimes Against Humanity records main man Nick on bass, if you like what's already on this label - but want to up the ante a little and have some metal in your blood, then look no further.

Crimes Against Humanity Records, PO Box 1421, Eau Claire WI54702, USA.
www.cahrecords.com

check out the above web site for a monster distro of records, cds, zines, shirts, downloads.

D.O.A. - NORTHERN AVENGER CD

2009-02-10T11:50:00.001-08:00

D.O.A. - NORTHERN AVENGER CD (SDR-0079)
I was pretty nervous about playing this CD, due to Joey Keithley being one of my all time favourite singer/songwriters to ever set foot on stage (or record in a studio) under the banner of hardcore punk. But as soon as the first chord rang out, a smile beamed across my face and I thought to myself - hell D.O.A. are still as fucking great as ever and even more so as I've been listening to them for the past 25 years. Even Randy Rampage is back on bass too, oh man, this fan boy (well old fart really) is a happy one. There's quite a lot of variety of styles herein; be it the ska/reggae/dub of 'Poor Poor Boy' (what an incredible song) and 'Set The Free'; to more punky 'Mountains That We Climbed' (how many bands going in America etc remember the debt owed to bands like D.O.A. etc and their hardcore working ethic that lead the path for many to follow), 'Still A Punk' (hey Joey, I hear ya man); the folky 'This Machine Kills' that leads straight into the mighty 'How Long Till The Day'. There's even light hearted stuff such as 'Donnybrook' and a John Fogarty cover. I can understand the disdain for California in 'Golden State', but don't get 'California Hardcore Last Chance'. The CD is just bursting with so many incredible songs and D.O.A. are one of those bands that have created their own sound and what's even more incredible some 30 years after they first started they are still creating such a standard of quality songs, full of melodic hooks and memorable riffs - they are still as important as ever. They are still doing things their way, they are still singing about injustice. TALK MINUS ACTION STILL MEANS NOTHING. You better fucking believe it.

SUDDEN DEATH RECORDS, CASCADES, PO BOX 43001, BURNABY, BC CANADA V5G 3HO.
www.suddendeath.com

KEITZER - AS THE WORLD BURNS CD

2009-01-27T04:47:00.001-08:00

KEITZER - AS THE WORLD BURNS CD (YD071)

Metallic, grindcore from Germany. A sonic assault and battery from the first blast beat until the end. Their drummer is pretty fantastic and plays as fast as a tommy gun emptying cartridge, after cartridge of bullets. Straight-up, no frills, no bullshit mayhem. No porno, gore or other dubious lyrics are growled - despite no lyrics being included. If you like your early Earache, current Crimes Against Humanity styled grind and done really well, then look no further.

YELLOWDOG RECORDS, PO BOX 550208, 10372 BERLIN, GERMANY.

WWW.YELLOWDOG.DE

Yellowdog has a huge online web store, so check it out.

WWW.KEITZERGRIND.COM

PISSCHRIST - VICTIMS OF FAITH CD

2009-01-26T04:50:00.000-08:00

PISSCHRIST - VICTIMS OF FAITH CD (YD 078)

All the way from Australia, via Germany, sees PISSCHRIST's new LP/CD - their 2nd full length. Getting by the fantastic artwork on the front sleeve should certainly tell you that this isn't light weight or definitely 'ain't no feeble bastard'. In fact, enclosed are 15 songs fericious and stunning more day d-beat, that flourishes and kicks out some fantastic Swedish influenced mayhem. Well recorded and boasting a punch of harsh music that is needed for the times that we live in. Venom spat lyrics that are well written and have such disdain for what we call society that you can only agree with them while playing air guitar to these rocking tunes. Victims Of Faith is up there in quality along with recent releases from the likes of WORDS BURN TO DEATH, GASMASK TERROR, old ENT, DISFEAR etc. Great rumbling intros that surge into a full throttle attack. PISSCHRIST can only help you through the rough and tumble that is life and be glad there are bands like this around who see through the lies that those in charge want to throw the wool over your eyes.

YELLOWDOG RECORDS, PO BOX 550208, 10372 BERLIN, GERMANY.

WWW.YELLOWDOG.DE

HAPPY NEW YEAR

2008-12-31T13:32:00.000-08:00

Just want to wish anyone reading this a happy new year. Thanks to those who sent stuff for review, much appreciated. Hope those who read this blog enjoy it. Lots more to come in 2009.

All the best for 2009.

Mel
XXX

PEREGRINE - THE AGRARIAN CURSE CD

2008-11-10T13:19:00.001-08:00

PEREGRINE - THE AGRARIAN CURSE CD

PEREGRINE is what's described as an anarcho-primitivist band - which is a critque of civilisation and it's failure to provide a true existence for those living on this planet. They promote an alternative to the typical work, watch tv, die existence that infests most of society as we know it. Lyrics and short essays are provided to help you think for something other than the mundane life that you may already live. With that, they deliver their songs with passion, with thunderous metal riffage that incorporates crust, hardcore and an unrelenting burst of energy. Fast beats give way to more restful and melodic moments - but are soon shattered and brought back to the ungliness of what prevails. It's all done well and they are definitely worthy of your attention.

www.myspace.com/pergrinemetal

GERIATRIC UNIT - DISTANCE AND DAMAGE CD

2008-09-22T04:20:00.000-07:00

GERIATRIC UNIT - DISTANCE AND DAMAGE CD

The follow up to last years 'Life Half Over', their third release and second one with Bosstuneage. Easily their best so far and these 12 tracks prove it and showing that even the old boys get better with age. Totally fast, un adultered and uncompromising hardcore, that is straight to the point with no apologies given. Just think of the best bands you can think of in hardcore; NEGATIVE APPROACH, POISON IDEA, NECROS etc and you'll get the idea. I love the vocals, in that they are just an adrenalin rush of pent up fury, thundering guitar riffage, bass licks and drumming all which are top notch. The recording/production on this is fantastic as you can hear everything clearly and that is crucial in this day and age, plus having a good sound only adds to this already explosive force. The lyrics complement the music, in your face, angry and definitely no let up. It's old, it's fast and it's definitely loud. Absolutely fantastic, if you aren't slightly interested in getting this - then fuck off to the old people's home.

WWW.BOSSTUNEAGE.COM

AVSKUM - UPPROR UNDERIFRAN CD

2008-09-19T04:44:00.000-07:00

AVSKUM - UPPROR UNDERIFRAN CD (PRANK 097)

Absolutely brilliant new CD (also available on LP) from this long standing Swedish band. 16 songs of pure adrenalin bursting forth, that captures them at their very best and easily one of the best releases in this genre. A fantastic mixture of DISCHARGE, MOTORHEAD and any good classic Swedish band you could think of. While harsh and heavy, each song evokes the listener to stay tuned and that's where you get reeled in and you are not going to get away so easy. With songs like these who would want to. Plenty of great riffage and thumping beats, exploding vocals and everything you would hope for in a great CD. The artwork/layout captures the mood. Although most of the lyrics are in Swedish, there is a strong anti cop, anti capatalist vibe going down. You know you need it.

PRANK, PO BOX 410892, SAN FRANCISCO, CA 94141-0892, USA.
WWW.PRANKRECORDS.COM

CHRIST ON PARADE

2008-08-28T04:57:00.000-07:00

CHRIST ON PARADE - LOUD AND LIVE - KFJC PIT 08/15/07 CD (PRANK 098)

Some live records are not worth the time, but thankfully this isn't the case for this live release of CHRIST ON PARADE. Soundwise, it's absolutely fantastic, everything is crisp and clear - but still punk as fuck and definitely a hell of a lot better sounding than most studio releases. As the title states, it was recorded on 08/15/07, after getting back together and the re-release of their old studio material (also available on PRANK RECORDS). CHRIST ON PARADE, were part of the sound track of my youth, that helped shaped my outlook on life - while giving me some incredible hardcore punk at the same time to keep me sane and vent my frustrations to. I bought their records back in the day as they came out, I still have them and I still continue to listen to them. The quality of the songs is top notch and their anger is still there. The lyrics of the songs are included, which are as relevant (if not more so) today as they were in the 80's. The hatred of corrupt government, which is still as bad today - only the names and faces have changed. All my faves are here, which include "Chaos Breeder", "Drop-out", "Teach Your Children Well", "Joshua Brown" and many more. Their songs are memorable, individual and CHRIST ON PARADE still remain one of the best bands I have ever being introduced to. If you already like them and are weary of live releases, fear not - you will love this. If you've not heard them, then rectify that and check them out. It's also available on LP too.

PRANK RECORDS, PO BOX 410892, SAN FRANCISCO, CA 94141-0892, USA.

WWW.PRANKRECORDS.COM

I'M BACK

2008-08-28T04:54:00.001-07:00

OK, I'VE BEEN A LITTLE QUIET OF LATE. SO HAVING WASHED OUT THE SUMMER HOLIDAY COBWEBS I'M READY TO ROCK'N'ROLL AGAIN. LET THE ONSLAUGHT COMMENCE.

2008-07-09T01:13:00.000-07:00

COMMITMENT RECORDS

2008-06-28T11:18:00.000-07:00

KILLING THE DREAM - FRACTURE CD

2008-06-17T11:49:00.001-07:00

KILLING THE DREAM - FRACTURE CD

I didn't really know what to expect from this at all, but was super in love with it after spending a whole week listening to it. Each time I would listen to this Californian band, I would find more interesting parts to their already excellent songs. Songs that have a melodic beauty to them, but whip up a dose of controlled anger and fury that explode into harsh and heavy parts so fluid that make it all the more amazing. Totally amazing band. Now, like the CD below, the cover was in the bag that I lost, but luckily I had the CD at home. But having listened to it so much I know the lyrics came from someone like a manic depressive, insomniac out of their comfort zone. Don't be a fool like me, make sure you get it.

WWW.DEATHWISH.COM

END OF ALL CD

2008-06-17T11:32:00.001-07:00

END OF ALL - THE ART OF DECADENCE CD

I got this the other day and have listened to it loads of times, now what happens today - I left a bag of stuff behind me on the bus and the cover for this was in it. Luckily the actual CD was in my CD player. Anyway, END OF ALL are from Sweden and encompass all that is great about that country as far as releasing good music is concerned. There is a soothing, yet sombre melodic intro that is soon shattered to pieces with some great harsh death metal/crustcore. Great build ups, tempo changes, tight music and insane vocals. Just think of TRAGEDY, SKITSYSTEM, WOLFBRIGADE, DISFEAR. Top quality stuff. Cool artwork, half the songs are in Swedish and those that are in English don't have much hope for humanity. Make sure you check it out, I'm going to have to buy it in order to get the cover again - but worth it.

WWW.CAHRECORDS.COM

make sure you check out the web page for an amazing distro and great downloads section, which enables the bands to actually get paid.

HDQ - SOULFINDER CD

2008-06-02T04:56:00.000-07:00

HDQ - SOULFINDER CD (BTRCRS011)

This is actually the only HDQ LP that I don't have, how/why I never bought it when it came out remains a mystery to me. So with that, this was an eye opening trip for me. As through out their existence, they've continued to progress and add another twist to their already varied sound. They definitely matured and slowed down, adding at times, a bit more rock to the proceedings. Side by side is their all out, up beat catchy melodic hardcore and soothing acoustic meanderings. At times it feels like a completely different band, well Golly and Dickie being the stalwarts from the 'You Suck' days. Along with this is the rejected mix of the 'Sinking', with original drummer Lainey in the hot seat, it's actually faster than the final release and some of the songs sound quite different. It's amazing how songs can change slightly if recorded at different periods and in different studios. Also included is their second Peel session and a live song "In My Thoughts" (which they never got to record in the studio). The booklet is full of more photos etc and it's an excellent companion to the recently released 'Sinking' CD.
www.bosstuneage.com

HDQ - SINKING CD

2008-06-02T04:43:00.000-07:00

HDQ - SINKING CD (BTRCRS008)
Ah! I've waited for this to be re-issued for years. I initially bought this when it first came out and has been one of my faves since. It amazes me how much HDQ progressed and changed during their existence, from a standard Brit punk band to one that soared and wrote some of my favourite songs ever. They took a melodic Dagnasty vibe and injected their own personalities into it and improved on this. Fanstics melodies, awesome vocals and heart moving personal lyrics. I have to say that "Within These Four Walls" is outstanding, especially when you hear the older version on here from the 'Life Is ...' cassette - just so much better. Golly's vocals totally made that song. Along with the 'Sinking' LP is their first Peel Session and the 'Life Is' cassette (which was released by BBP. I have everything by HDQ, up to and including the 'Sinking' LP. Luckily I aslo got to see them when they played in Belfast in January 1989, what a show that was. This package includes loads of photos, gig flyers, lyrics, discography info and an intro written by their bass player Rob Bewick. If you are going to buy anthing this year - make sure it's this as HDQ continue to move me.
www.bosstuneage.com/

MAN THE CONVEYORS - CHEERS CD

2008-03-06T11:54:00.001-08:00

MAN THE CONVEYORS - CHEERS! CD (VEX004)
Tortured dual male/female vocals, from this CT band, taking off where they left off on the LP. The songs on this are due to appear on two 7"s, but were not ready for their tour - hence this CD. They've since got Matt on guitar and have certainly got harder and faster. 8 songs of blistering crustcore/d-beat mayhem, that are top notch in their execution and recording quality. All played at an adrenalin drenched fastish pace, with plenty of slow harrowing heavy breakdowns which soon pick up the gaunlet and kick into gear again. The dual vocals suit the mood and have a real early ENT vibe, coupled with a STATE OF FEAR, WARTORN, classic Swedish sound and a pissed off fury that throws caution to the wind and gives us some truely impressive songs that are easily part of the forefront of amazing bands existing today. Topics such as abortion, immigration, mental illness, poseur punks (who aren't worth the patches on their clothes) and many more suffer the onslaught that is MAN THE CONVEYORS, ripping them apart in a poetic and passionate venom spat fury that cries of injustice. Suitably angry artwork accompanies their words, driving their message home even further. Released my their guitarist Matt and you really need to get this as I've been listening to it constantly.
VEX PO BOX 1271 NEW HAVEN, CT.06505-1271, USA.
WWW.MYSPACE.COM/VEXRECORDS

INHUMAN - LAST RITES CD

2008-03-04T04:51:00.001-08:00

INHUMAN - LAST RITES CD

With a slew of releases under their belts, it was no surprise to find this a quality release. The fact that they've been going since 1995, experience shows and I've found their latest CD to be quite a mature CD. With that, I certainly don't mean boring. Certainly not, no, more of a confidence to showcase a variety of styles and the ability to execute these songs to the highest calibre. Listening to the opening track 'Last Rites' you would easily be tricked into thinking that this is a CD full of open E chords and harsh metal core. But by the time the last chord of 'The Lost' fades out, you'll have been on a roller coaster of sounds, words and emotionds. There are plenty of up beat catchy punk anthems, alongside straight up hardcore tunes and in between and round about doses of melodic hardcore tunes, boasting timeless riffage and a guitarist who knows his way around a fretboard. Michale Scondotto vocals jump easily into the different ranges to fit each songs, going from screams of pain to poetic soothing singing and gnarly spitting punk. Good lyrics too, which are a range of emotions and views on how their lives are. So if you like EARTH CRISIS, DAGNASTY, FEAR, BAD RELIGION, AGNOSTIC FRONT, SICK OF IT ALL etc, then you are in for one hell of a party.

WWW.ISCREAMRECORDS.COM

WWW.MYSPACE.COM/INHUMAN

WWW.INHUMANLEGION.COM

THE MINGERS etc LIVE

2008-02-24T02:36:00.001-08:00

THE MINGERS

LOS MENDOZAS

LURGAN'S VERY OWN JOHN TRAVOLTA

ONLY FUMES AND CORPSES

all pictures by Mel

This was one fun gig, 100 DRUNKEN NIGHTS opened with their Clash/Rancid inspired ska punk, getting tighter all the time. From darkest Galway was ONLY FUMES AND CORPSES, one of the hardest working bands on this Island. Mixture of melodic and harsh hardcore. Great CD out at the moment. LOS MENDOZAS, all the way from Mexico via the bypass in Bristol, when they did actually play it was fast crazy hardcore. But they were more interested in having a good time with members of the audience and giving us a good time and involving everyone. Ah, THE MINGERS, who it seems will break up soon. At least they got to play over here. Great fastish melodic punky hardcore. They were great, I think they had a good time playing live too. What was it, FULK CHELSEA (you had to be there to know what I'm on about). Colm livened things up as per usual, you can see Lurgan's very own up there in the pics. As Cormac was carried through the crowd, the gig came to an end. I sold a couple of records and went home happy.
Thanks to everyone who played.

PULLING TEETH - MARTYR IMMORTAL CD

2008-02-15T05:51:00.001-08:00

PULLING TEETH - MARTYR IMMORTAL CD
Wow, this is one sick CD and I mean that in a good way. Most of the songs are total ragers, blasting forth from start to finish. Mental riffage at breakneck speed and insane vocals. They have a real adrenalin kick behind them. Coupled with this are some more slower, intense and melodic ranges - but still heavy at the same time. Mixing good metallic fury, with the best of hardcore. Taking the heavyness of Integrity, Tragedy and mixing Poison Idea and lots more essential ingredients and coming out with a crucial sound. The lyrics are fucking amazing, such a hatred towards some aspects of humanity. In particular our greed and wastefulness. I whole heartily agree with what they are saying. I can only imagine that they would shred live and put on an amazing live show. You know you really need this.

WWW.DEATHWISHINC.COM

WWW.PULLINGTEETHMD.COM

THE MURDER DISCO X - DISCOGRAPHY CD

2008-02-15T05:50:00.001-08:00

MURDER DISCO X - COMPLETE DISCOGRAPHY 1997-2004 (EXIST103)
Phew! Where on earth do I start with this crucial comp? 36 songs, from their releases: SUPERCRUST 7", FEEDING OF THE 500 7", Split LP with JILTED, 1998 Demo and Comp releases MORE WORLD - LESS BANK, WELCOME TO HELL, MISSING IN ACTION, MAXIMUM SUBJECTIVITY and some unreleased tracks, along with covers of DISCHARGE, VARUKERS, SOCIETY DOG, VERBAL ABUSE and VOID. Now, despite all those tracks from different releases, numerous line-ups, the wonderful thing about MURDER DISCO X is that all the songs here sound consistent, pent up fury and anger from start to finish. Great recording quality from start to finish, which is a big plus to my ears. Exciting fast and furious 80's styled hardcore, with great d-beat sensibilities and rip roaring songs. No cannon fodder here, all highly charged incendiary, adrenalin pumping core to the max. Memorable songs that make me wanting to play it again, again and again. All the lyrics are printed in their full glory and boy Ralf is an angry man, he's got a lot of interesting things to say, doesn't hold back and I agree with his ideals. Various pics and the M.D.X. story (so far) are included. A great CD that will appeal to the hardcore purists and cruties and anyone else with good sense and taste.
PROFANE EXISTENCE RECORDS, PO BOX 18051, MN55418, USA.
WWW.RISEOFCRUST.COM
WWW.MURDERDISCO.DE

PROFANE EXISTENCE VR SERIES

2008-02-13T12:36:00.000-08:00

LOVELY TO LOOK AT, DELIGHTFUL TO HOLD AND EVEN BETTER WHEN PLAYED. Are you interested it? Check PROFANE EXISTENCE and sign up.

www.profaneexistence.com

SIGNAL LOST - PROSTHETIC SCREAMS CD

2008-02-13T04:53:00.001-08:00

SIGNAL LOST - PROSTHETIC SCREAMS CD (PRANK086)

Wow, just incredible, easily one of the best releases from 2007. Great guitar driven punk, with an emphasis on tunes that are uplifting, catchy and at the same time full of depth with a mood enhancer through out. Some great surf licks, ballsy mini solos, and just darn brilliant songs. Just straight punk, no fillers and all frills. Just think of THE WIPERS, AGENT ORANGE, melodic anarcho punk. Just think of when you want fantastic punk songs that will stay with you for a long time, well then think of SIGNAL LOST. Ashley's voice has the tones of an angel, but with an angry attitude and a lust for the dark side of life. Just beautiful and punky in an AVENGERS way. "La Beaute Est Dans La Rue" is one of the best songs I've heard, it's been stuck in my head since I first heard it. This band works so well together, each of them contributing to one hell of a release. Dark lyrics, darker meanings and stunning music - definitely throwing a curved ball at you with it's beauty and strength. The artwork reflects the lyrics perfectly. You really do need this in your collection.

PRANK, PO BOX 410892, SAN FRANCISCO, CA 94141-0892, USA.

WWW.PRANKRECORDS.COM

LIFE LONG TRAGEDY - RUNAWAYS CD

2008-02-11T04:48:00.000-08:00

LIFE LONG TRAGEDY - RUNAWAYS CD

Although I did not know what to expect, I certainly did not expect this. This is the equilavent of your life's emotions compressed into 12 songs. The highs and lows are captured here in the form of LIFE LONG TRAGEDY's enchanting new CD called 'Runaways'. It's full to the brim with hook filled abrasive, yet sad melodies that capture the mood - whatever the feeling. Songs that have a lot of effort put into them with fantastic guitar work, it's a combination of riffs so soft - coupled with harsher undertones. The dual guitar attack feed of eachother and seriously impress the hell out of me. Runaways is one of those releases, that with the more you play it, the more you uncover things you did not notice in the previous listen. So it's exciting and thrilling, which makes me want to play it again and again - I know I'll be playing it for years to come. Harsh sung vocals, creeping into the songs - only add a more humane feeling and compel the listener to sing along and rock out at the same time. Angst ridden lyrics of a sensitive, yet assertive front man. It took a year to complete this and it has paid off. I can see this being the sound track for many a soul during the course of this year.

WWW.DEATHWISHINC.COM

WWW.MYSPACE.COM/LIFELONGTRAGEDY

IRON LUNG - SEXLESS//NO SEX CD

2008-02-06T05:08:00.000-08:00

IRON LUNG – SEXLESS//NO SEX CD (PRANK 092)
The second full length from this duo and they continue with their insane wall of noise that is dubbed power-violence. For just two people, they sure know how to conjure up an incredible sound. Saying that, it is power-violence by numbers – slow heavy breakdowns that change gear in a split second and you are shaken awake by the ferocious breakneck speed and mental chord changes. It’s done really well and the fact that the sound quality is second to none definitely helps lift them above the norm in this genre. They definitely take notes from the masters, INFEST, DROP DEAD and CROSSED OUT continuing where they left off. Following the lyrics, I get the impression that they either work in a hospital or an old peoples home, or read a lot of William Burroughs along with watching b-movies? Strapped to machines and the prolonging of death is the order of the day. Extra points for having Nick Blinko artwork on the front and the text of the booklet are dissimilar to Nick’s own pen work. Need your noise fix? IRON LUNG will deliver the goods.
PRANK RECORDS, PO BOX 410892, SF, CA 94141-0892, USA.
WWW.PRANKRECORDS.COM

BORN/DEAD - THE FINAL COLLAPSE CD

2008-02-05T04:01:00.000-08:00

BORN/DEAD – THE FINAL COLLAPSE CD (PRANK RECORDS 093)
Having already bought the vinyl version of this on their tour, I knew already what a corker it is and due to steady rotation since then one that I firmly love and will continue to play for years to come. If you don’t already have it or missed them on their tour – 3 months covering most of Europe then I suggest you not sleep on it. Already going for a number of years, with a good backlog of essential releases already under their belt, with ‘The Final Collapse’ they continue with another cracking full length and evidence that they are still burning with anger, pain and frustration. Creating an engaging mood with their medium paced anarcho punk, that thunders into fast raging parts, dipping into moody breaks with Wyatt’s sombre bass strokes. Will and Wyatt, sharing the vocals, shout and spit their fury at what is happening to the world and society around us. You can’t help but agree, unless you have no blood in your body. The songs are intense, interesting and challenging. Coupled with their heartfelt lyrics is art, not merely as nice decoration, but hammering their point home. The CD has excellent packaging too, having the same artwork to that of the booklet of the LP and doing it every bit of justice and retaining the same beauty. If that isn’t enough, they cover ‘Sirens’ by CRESS and it’s one of the best covers I’ve heard done, just jaw dropping. Finishing off with ‘Assault’ from their split 7” with ‘PELIGRO SOCIAL’ and if the lyrics of it don’t move you, you must be made of stone. A hard working band, who have my highest respect and a CD every punker should own.
PRANK RECORDS, PO BOX 410892, SAN FRANCISCO, CA 94141-0892, USA.
http://www.prankrecords.com/
http://www.prankrecords.blogspot.com/
WWW.MYSPACE.COM/BORNDEADPUNX

UNSEEN FORCE - IN SEARCH OF THE TRUTH

2008-02-04T02:11:00.001-08:00

UNSEEN FORCE – IN SEARCH OF THE TRUTH CD (VCR011/GRAVE020)
Unseen Force was a band from Richmond, VA, that existed for about two years from about 1985 to 1987. During that brief period, the managed to release ‘In Search Of The Truth’ LP and play a lot of live shows. It’s great to see this re-issue of the LP, from the vaults of US hardcore past, I always remembered it being such a storming LP. Remember being the operative word, as I lent the LP to someone in the 80’s and never got it back. So I’m pretty glad of this reissue. All the songs are pile-driving, incendiary fast hardcore punk. Crucially they had a great drummer whose blasts are the back bone of these songs, coupled with infectious riffage and venom spat lyrics. They hammer on like there’s no tomorrow, if you were a punk in the early to mid 80’s there wasn’t any and this shows through their lyrics of pain, hurt, fury and hope. They sure were a tight unit, with great songs and this is quite evident in the live set that is included with this re-issue. The live recordings, equal the studio stuff and I can only imagine them being awesome live, looking at the flyers included in this package they sure played with a lot of great bands of the time – themselves being great too. If that isn’t enough for us, also included is the 2000 MANIACS demo from 1984, the band some members of UNSEEN FORCE were in previously. You can see where the songs came from, although similar, they are faster and shorter – the great thing is they haven’t dated a bit and will pump you up with an adrenalin surge of hardcore that will fuel your thirst until your next hardcore fix. You can see a lot of effort went into this package, with the flyers, photos etc and kick ass music. You’d be a fool not to check out UNSEEN FORCE, especially if you have a love for old bands like POISON IDEA, FINAL CONFLICT, CHRIST ON PARADE and current bands such as BORN/DEAD.
GRAVE MISTAKE RECORDS, PO BOX 12482 RICHMOND, VA 23241, USA.
http://www.gravemistakerecords.com/
WWW.MYSPACE.COM/VCRECS

HAPPY NEW YEAR

2008-01-01T10:10:00.000-08:00

LOTS OF NEW POSTS UP SOON.

HERESY INTERVIEW

2007-11-24T08:53:00.000-08:00

HERESY INTERVIEW THAT APPEARED IN HEADROT ZINE IN THE LATE 80'S.

HERESY are without a doubt, the No 1 UKHC band at the moment to my knowledge, & so thus, deserve some form of interview in HEADROT, & finding postal interviews dominating zines nowadays, I finally plucked up courage to put myself on the spot in a live situation. So, on the afternoon of 22nd of October 1987, I found myself in a ‘no turning back ya wimp’ situation in Kalv’s kitchen, scared out of my wits, asking the following questions. All members of the group were present, & in the 35 minutes that followed, they got the chance to put their comments on the subjects that so far (I feel anyway) they haven’t had the chance to reply to. Here we go ………..
HEADROT: What did you think about the Peel session, how did you get it, & contracts, cos I heard there were certain contracts for the Peel session?
JOHN: Yeah, there are, yeah. We got it cos John Peel showed up for our Bradford gig, which was like, the first gig we did on a tour with LARM & HEIBEL. Uh, we don’t know why he showed up, it’s apparently because his wife lives in Bradford, & it was something for him to do, so ……….. He came down, saw us, liked us, & asked if we’d wanted to do a Peel session; we agreed, BBC sent us a contract, & we took it from there really—it’s quite straight forward. The contract just means that they have the right to the Peel session, we can’t bring it out kind of thing, simple as that.
HEADROT: So do you think they’d put out the session?
JOHN: We’ve heard rumours but, I mean, I think something like, they don’t bring anything out that’s brand new, they have to wait two years.
HEADROT: So how much did you get paid for the session?
JOHN: We got £380 is what you get for the recording, & £40 for your petrol. Then after that you get £80 every time it gets played again.
HEADROT: So what do you think about the rumoured airplay of indie records being played on Gary Davies & stuff? They’re going to bring more indie records in, do you think HERESY would be played in the afternoon?
JOHN: No!
HEADROT: Would you want HERESY to be played in the afternoon?
JOHN: Well obviously, it’s kind of like, out of our hands-if somebody wants to play our record or our tape then there’s not a lot we can do about it. If they’re into it, they’re into it.
KALV: It’s like, not going to do us any harm but …. I dunno. I wouldn’t be surprised if it eventually got round to it; it depends how HC takes off with this trendy sort of way it’s being approached to, liked, by the music papers & that. It’s up to them how big they’re eventually gonna make it the way they’re going on, it could get pretty big.
HEADROT: But do you think anyone would take notice of you if you were played in the afternoon, like the workers or whatever listening to it?
KALV: The workers?
HEADROT: Listening to Gary Davies or something like that ……
ALL: I doubt it, no …………!
JOHN: They’d probably laugh!
HEADROT: So do you think that would affect HERESY in any way?
KALV: It’s hard to say …
JOHN: It depends who’s listening to it & who takes notice of it. Any more of these major label types who have been ringing us a bit in the last few months, then … to be honest, I wish they wouldn’t bother, cos they’re just like, getting on our nerves.
HEADROT: What labels have been ringing you up?
JOHN: God, you don’t wanna know!
KALV: Ninja records, wasn’t it?
JOHN: Yeah, also a label called Jive, or Dive, who put out Samantha Fox records …
HEADROT: Jive, yeah.
JOHN: Yeah they rang up asking us if we were interested in sending them a tape, & we said well, no kind of thing. It’s just a pain having to deal with these kind of people.
KALV: Cos their interest’s not in the music, it’s just something they see as the next bloody marketable fashion they can make a fast buck off.
HEADROT: Yeah, cos I heard that you (Kalv) have got a real interest that HC should get more major & stuff.
KALV: Yeah, on it’s own terms.
HEADROT: But does that mean signing to major labels?
KALV: No, it just means like people for other parts of the music business come into a more ground level base to actually see what’s happening. Not to bleed the scene dry of all it’s good musicians & make them into big bands for all the wrong reasons …. Whatever.
HEADROT: So what do you think of the STUPIDS? Do you think they’ll become major & stuff?
KALV: Yeah, they have, or they’ll do anything to be.
HEADROT: So what would you do in their position? If you had the kind of effect they’ve got on the music press …..
JOHN: Take control.
KALV: It’s like, we’ve been offered things along those lines which would probably make us a bigger band but for all the wrong reasons. We’ve been offered like, big London gigs which we’ve turned down because they’re done through really dodgy people who aren’t really interested in the HC scene, only in how much money they can make at big gigs, & well, people like Ninja & Jive records who are interested in making money off us, but we know for a fact that they’re not actually interested in the band or what we’re doing, they’re just interested in how they market us & make money, so those are the wrong reasons. So perhaps if we did that, it could maybe get a little bigger like the Stupids, but it’s just lose too much.
HEADROT: Do you think they’re using themselves, they’re setting themselves up, because it’s the position they’re putting themselves in?
JOHN & KALV: Yeah.
JOHN: It’s out of laziness in a way.
KALV: Yeah, the Stupids, they’re not bothered; they’d just do anything to get big. It’s like they’ve been in so many NME, Sounds, & big music paper interviews, & they don’t say anything constructive about what’s happening in the HC scene-they just talk about themselves & how they skate & how they look rad, & how they drink root beer & complete garbage like that. I mean, if they really cared about the music scene they came from, they’d talk about what it’s like y’know? I don’t think they’ve had that much experience actually, they played a few gigs when they were a bunch of naïve little school kids who generally enjoyed playing HC; I mean, it eventually got to something where they were getting bigger & bigger, & Tommy kept it going because basically it’s Tommy’s band.
HEADROT: Yeah, it seems cos of the skate thing, the stuff in Sounds & that, that they only got in there cos of the skate thing.
JOHN & KALV: Yeah, oh, yeah.
KALV: It’s like when we were first interviewed by the NME. This guy who works for the local evening post, who works for NME as a photographer, he goes, “Right, we’ll do a photo session, so get your skateboards out” kind of thing.
JOHN (to SEVE): Yeah, he says it up to you, doesn’t he?
STEVE: Yeah, he goes “Oh, do you skate?”, & I go, well no, cos were not a skate band.
HEADROT: So none of you skate?
ALL: No.
HEADROT: That’s good.
KALV: It’s just, we get lumped in with it …………..
JOHN: Just because of the way we look ……
KALV: And because we play HC ……….
HEADROT: And because of the American sound.
JOHN: Yeah.
KALV: I’m not even sure if it’s that blatantly American ..
JOHN: Yeah.
HEADROT: So how do you think Metal Forces & that picked up on you? Was it because of the HC thing that they’re trying to get into?
JOHN: Yeah, yeah, they’re falling over themselves to get into HC.
KALV: I don’t think it’s because they want to, it’s just because they know for a fact that a lot of their readers are getting into it, & theres’s a lot of interest, so they’ve got to please whatever their readers want.
JOHN: They feel obliged to cover it.
HEADROT: It’s like through Metal Forces, Mike Exley (the guy who interviewed HERESY) knows only 2 bands in HC. It’s like, if you read the reviews, it’s DRI & The ACCUSED, that’s all it is, all the time. If he reviews NAPALM DEATH, RIPCORD, WEHRMACHT, whatever, it’s the same like …
JOHN: The English equivalent to DRI …….
KALV: Obsessed with that “Oh, these could be the English equivalent to DRI”, it’s just like when Onslaught were picked up, it’s like “These could be England’s equivalet to Metal
lica”, it’s like … we’ve got to be …..
JOHN: Let’s have an English equivalent to something …..
KALV: An English equivalent to something big. It make them feel kind of proud, they’re kind of patriotic dicks in a way.
HEADROT: So would you go in another metal magazine?
KALV: It depends; some of the smaller ones, some of the people who run them have got a genuine interest in the music, but … Metal Forces again, well, I don’t know … The last one was bad enough & Kerrang can say no outright cos they’re a helluvva lot worse. Kerrang is just a big bloody money making scheme, whereas Metal Forces, although it’s bit, I think it’s more ground level done by people who do have a genuine interest in the music.
HEADROT: I don’t think Mike Exley has much of an interest really. I mean, he’s like trying to show an interest, but he’s talking about something he knows nothing about …
KALV: I think he’s interested, it’s just, he’s just fucking backward.
JOHN: He’s just naïve or stupid.
KALV: I mean, most people from the metal thing are like that, stereotypes, & wrong as it may be, they just seem to be. Like last night after we played, there were a few metal kids come up to say they liked it& all of them asked for autographs … it’s only metallers. It’s like, why?
HEADROT: Yeah, it’s happened to people like the AMEBIX, people coming up & saying “Oh, you were really good, can you sign this?” & them saying, well , we’re not into all this, & they like, can’t understand why they won’t sign ….
JOHN: Yeah, I had this argument last night with this kid about that. He comes up to me with a pen goes “Sign my trouser leg” & I says, well, what’s the point, it’s like, doesn’t make any
sense. He says “Well, come on, it’s something I really want”, & I went, well, it’s something I’m not really prepared to do. And then I said I’d prefer to give you some stickers if you want something about the band, something a bit more constructive, & he says “Well, not everybody ….”, & I goes well, why do you want my autograph & he says, “Well, you’re the singer in a band”, & I goes, well, anybody can be a singer in a band if they really want to be—it’s kind of, a really useless thing to ask for.
KALV: He asked me & Baz as well, & we signed his jacket. (laughter)
KALV: This guy came up to me & said “Can you sign my jacket?, & we just laughed & went “Are you serious?!” & he says “Really”, but I mean …..
JOHN: Sometimes you do it cos you just wanna get rid of them in a way …
KALV: I know. It’s like, if you don’t, they’ll think you’re a rock star …
HEADROT: I was gonna say, if that’s what they really want …
KALV: If that’s what they really want, they can have it, it’s wrong but ….
JOHN: Yeah, it’s like, sometimes we get sent through the post “sign this autograph paper” & then we’ll do it, it’s like, if we can …
KALV: I don’t see how it’s such a big deal.
JOHN: It’s like, I’d never do it if it was a one to one situation & I had to talk my way out of it & I’d tell them my reasons why I don’t sign autographs, like last night I didn’t. But if it’s through the mail, then sometimes we’ll do it, just for the sake of it, you know & then we’ll explain the reasons why we don’t usually do this, becasue ,y’know, we don’t really look at ourselves as being a big band or anything: we don’t really see why people want our autographs.
HEADROT: But do you think the obsession with the word “mosh” & that, you’re going to get all these Anthrax fans, & that Anthrax kind of attitude, simply because of the word “mosh”?
KALV: But “mosh” was originally invented by Adrenalin O.D., it was on their 1st ep in ‘83, they were the originators of the word & it’s only the metallers who have stolen it …. It’s just a good word for slamming.
HEADROT: But could you blame people if they’re Anthrax fans, like some of the kiddies last night at Manchester, thinking of the word “mosh”, starting getting into you, thinking you have the Anthrax attitude? Could you blame them?
KALV: Couldn’t blame them, but I’d say it was extremely shortsighted on their part & I don’t see why we should stand to blame for their shortsightedness .
HEADROT: Going back to the interview, did you get things out of context & stuff?
JOHN: Well, we didn’t get things out of context, they got things out of context.
HEADROT: Yeah, that’s what I meant. (cringe you bastard reporter).
KALV: We said a lot & talked about all the positive things about the underground HC thing, how we played in Europe, they’ve got a self managed squat scene, & you can play a series of gigs & everything will be organised & we think how this is really good, positive thin, didn’t mention that, just mentioned that we played fast HC & how we might be England’s answer to bloody DRI …….it’s a load of rubbish.
HEADROT: Do you think that they didn’t print that because they felt their readers didn’t want to read about squats & the European scene?
JOHN: Yeah … it’s kind of understandable for Metal Forces, but at the same time, it was something we didn’t have much experience of at the time—we just presumed it would be a regular fanzine interview: they take what we say on tape & the print—well, they did but we also forgot at the time that Mike Exley gets paid for what he does, so he obviously has to put his own angle, so …
HEADROT: What I’ve heard is that he gets paid quite a bit …
JOHN: Yeah, so obviously it’s like, if you’re getting paid to something, you’ve got to put your own personality towards it, & uh, Mike Exley’s personality .. To me … his style of writing is not how we want to be represented.
HEADROT: I don’t think he’s clever y’know?
KALV: He’s not, you can tell that by talking to him. (laughter).
KALV: He’s like, quite a friendly guy, & I don’t really wanna slag him off. It’s just understandable coming from a background of bloody Iron Maiden & that, & trying to comprehend what HC is all about, there seems no problem to him but …
JOHN: It’s a world of difference.
KALV: But at the same time …
HEADROT: But it’s like, he’s picking up on something he knows nothing about.
KALV: Most of the things we talked enthusiastically about, just never got mentioned, & all the things we mentioned by chance like, got blown out of proportion.
HEADROT: It’s like the word ’fans’. When I saw that I thought, well, it’s not that bad, but then ’fans’ is a pretty fucking horrible word, y’know?
KALV: I agree, yeah.
JOHN: It made us out to be really carreerist , y’know, “we’re the No 1 band” & we never really said … we never really said that at all, we never think of ourselves as such. And so he’s going “Hey kids, these could be England’s DRI”.
KALV: Yeah, “They’ve got a sound like career mind & they know they’re going” & we didn’t come across like that at all.
JOHN: It’s really funny if you know us, cos we’re completely unorganised in a lot of things. We only get things done … like .. We always get things done, but it’s like .. But it’s never done easily. It’s always at the last minute, as you saw yesterday, not much co-ordination. We always get it together but it’s always at the last minute, so for him to say we’re really careerist & out for ourselves, is such a joke. The same as when people call us rockstars & stuff—to us is such a joke, because it’s like, people who don’t even know us, so it kind of pisses us off.
HEADROT: So do you think Mike Exley saw the real HERESY?
JOHN: Yeah, we spoke to him for a good hour, but he saw us & got it wrong obviously, we didn’t explain ourselves well enough, or he wasn’t interested.
KALV: We presumed he’d be able to do a magazine article well enough to present what we’re about accurately. We should’ve gone out of our way maybe to read some of his articles for Metal Forces …
JOHN: We can’t help it if he’s incompetent. (laughter).
HEADROT: And what about the NME article?
JOHN: It’s the same again.
HEADROT: Was it a glossy kind of ..
JOHN: It’s just rubbish basically, it’s rubbish.
STEVE: (Can’t make out the word) instead of metallers.
JOHN: Yeah, it’s the same.
HEADROT: And did you do the same as Metal Forces, talk for a couple of hours?
JOHN: Yeah, 3 hours … for three quotes.
KALV: Ages.
HEADROT: And how much writing did they put into it?
JOHN: What we said: they put 3 quotes, & the rest was just blurb, this band is big, you must be into them …
KALV: They make a racket, they jump around, the dress American …
JOHN: Come & watch these guys dress American, come & watch these guys jump around, it’s like really fun, ha, ha, ha. They just didn’t get the right idea at all .. Which is kind of understandable again cos NME not that much different from Metal Forces .. In the way they’re creating trends.
KALV: I guess like, more intelligent people just obsessed with new fads in music & so this is a new fad, nothing to really take serioulsy . Everything you say seriously they think “Oh what the fuck, they’re just a bunch of kids & they’re just starting out in the world”. What right have they got to, seriously, just go & see them jump about &
& make noise”?
HEADROT: Are HERESY one big happy family?
JOHN: Oh yes!
ALL: Yeah.
HEADROT: Like, can you compromise?
JOHN: Well, we don’t have to .. What, within ourselves?
KALV: We take the piss out of each other a bit sometimes.
HEADROT: I was going to say, the next question was how much humour is there in HERESY?
JOHN: Oh, a lot!
KALV: Loads!
(Steve mentions something about his hat, though I fail to work out what he said, unfortunately).
JOHN: Really, people who say that we take ourselves serioulsy, I mean we do, but we don’t. We always take the piss out of ourselves in everything we do, it’s like …
KALV: It’s stupid to take things that seriously, we’re serious about what we’re doing, but at the same time not to the point where you’re so dogmatic & …
JOHN: It’s like, each one of us has got a standing joke that somebody will always give us, you know & we don’t like to take ourselves 100% seriously.
HEADROT: It seems like the idea is, is that everyone in HERESY is really straight, it’s like we don’t wanna laugh …
JOHN: Oh god …. We laugh.
HEADROT: It’s like, you seem to be outspoken, & it’s “Oh, they obviously don’t have a sense of humour” ..
ALL: Oh, we have.
KALV: It’s just people, don’t know us. Yeah, we are a very outspoken band amongst the English HC thing, like … of all the bands, we’re in one band. Baz has mentioned before what with being in RIPCORD, you heard a lot of rumours from other bands, & we get a lot of stick from other bands.
HEADROT: I was going to say, does it worry you that HERESY are being used as a ‘this years band thing’ & people spreading rumours abut them?
KALV: It does in a way, because I think they’re wrong, but at the same time I think that half the people who are spreading rumours are far from perfect anyway, so I think “What the hell, is it really worth taking seriously?”
JOHN: There’s not a lot you can do about it. The rumours that are spreading are just so pathetic. It’s just “Oh, this band are American clones”, is that all they can say? Is that all people can see?
KALV: Like the SORE THROAT kind of attitude. (Sore Throat have apparently got a one second song ‘dedicated’ to HERESY & the vocalist’s lyrics are ‘Cunt’ - grow up children). It’s just so pathetic. I mean, we’d have to be really bloody stupid to take that seriously. We just laugh at it & think “Oh god, they must be a real bunch of dicks if they can say that without even knowing us”.
HEADROT: Would you like to sit down with them, & say “Right, what’s all this about then?
KALV: I don’teven know who they are, but I’d be interested in talking to them.
JOHN: I’d like to sit down with everyone who has slagged us off & say “Lets talk it out”. Only one time has somebody come up to me & questioned what this band’s about, this guy Aiden, came up to me in Birmingham & put me on the spot.
He says “Right John, what’s this song about, why do you dress like that, blah, blah, blah & for an hour we spoke, & we parted like on good terms about it & shook hands. I said “Well, at least you’ve had the guts to come up & ask us”, cos I goes “Oh, I was really shocked” & he goes “Well, loads of people talk about you, your band. Loads of people slag you down for the way your dress, how you play, what you say” & I was going “Well I never heard anything about it before”. It’s obvious they never say it to your face. I’d just love people to come up & ask us & then maybe we could set the record straight about a few things, cos often it’s really totally unjustified what they say about us, it really gets us down.
KALV: That’s probably part of the reason why we don’t get on too well with a lot of British bands, cos like, we hear rumours which are pretty much true about what they’re saying about us & then when they see you at gigs they’ll put on a false face & politeness, so you’ll keep it short cos you think “well fucking hell, you’re saying things about us, why should we go out of our way to be nice to someone who’s just putting on a false face?”. So you keep it short and bugger off, & as soon as you’ve gone, it’s like “He thinks he’s really something” y’know?
HEADROT: Yeah, I think that’s with any band …
KALV: Oh yeah, but perhaps us more so than any other English bands. Maybe the Stupids now, but they’ve got more reason to be slagged thank I think we have. Like, we’ve been offered a lot of chances the Stupids have, but we’ve turned them all down, whereas they’ve willingly gone along with anything.
JOHN: But it’s a vicious circle. People are still calling us rockstars & stuff.
KALV: You can’t win but, it’s like, it doesn't really bother me anymore … it does perhaps in a way cos I think it’s unjust & that, but there’s always gonna be a certain amount of criticism anyway, so …. It’s like, we’ve got friends & that. Most of the good people we know appreciate what we’re doing, & think what we’re doing is good cos we’re doing it for those sort of people, or anybody who’s interested, so the other people who want to spread rumours or don’t like us, then fuck ‘em. We can live without them.
JOHN: There’s always gonna be people who don’t like it anyway, no matter …. If you take a stand on anything there’s always gonna be people who disagree so as long as they can disagree constructively & not like, “Oh, I don’t like HERESY cos …….”
KALV: They’re a bunch of American fucking spoilt dicks or twats …
HEADROT: Yeah, it’s mainly cos of the American clothes, but it also seems like when John joined, that’s when all the rumours started. (to John) it seems all based around you, y’know?
JOHN: I’m to blame.
HEADROT: It’s like, no one blames you (HERESY) of Americanism, it’s just you (John). It’s like, “Oh I remember when he was in Concrete Sox, & he looked a … it’s like, people seem to think you’ve given up on everything you used to think about & stuff, & that you’ve just turned into an American clone.
JOHN: That’s completely untrue, it’s like … I don’t know, I don’t know how to answer that. To be honest, it’s not even an American clone. I’ve kinda changed since I joined HERESY, if I have cloned anything, it’s the European scene. I was so impressed with it when I first went there. I thought “This is for me”. It opened a completely new door in my life “I wanna kind of, be like that in England because it’s different”, so it’s not really a conscious … I’ve never been to America so I can’t really be a clone outright, cos I don’t know what it’s like. It could be absolute rubbish for all I know, but all I know is that I saw the German & Dutch scenes, really liked them, thought “This is great, this is what I wanna do, how I wanna be”, so I took that into the way HERESY was going at the same time, so it kind of made sense. People always look to America first like the never look to the rest of Europe.
HEADROT: Which scene do you take most interest in. European or American?
JOHN: I take a lot of interest in the European. We don’t look to one country in particular, which is another thing, we look to the whole world. We don’t just look to America & what’s coming out of it.
KALV: Different scenes are completely different; it’s like America’s a lot of business sharks conscious about how much money they can make out of it … the career interests, like the way DRI have gone, & I think originally when the whole scene sort of started taking off with Minor Threat & that, all the good people who generally put something back into what they were doing, it wasn’t all take, take, take y’know, make money & milk the scene dry. It was a real positive thing, but now in America it seems to be business sharks putting on shows, getting involved with HC like Death records, so America … I don’t know, it’s hard to say … it seems like it peaked about ‘81-’82 time, & what you’ve got now is great music but perhaps some of the people who are making it are pretty dodgy.
HEADROT: It seems like they don’t put a lot in. it’s like, I’ve got a real interest in the Italian scene & that, because you can see people working to make something, whereas America … it’s like, if you see MRR, everybody’s band has a nice drum kit & equipment because their Mum & Dad bought it for them cas they said “Can I have a new kit?” or whatever. It’s like, they don’t put a lot in, they just take a lot out …
KALV: I think a lot of them had music lessons when they were kids as well, that’s why most of them are such good musicians. It’s like, completely different middle class backgrounds, different from the rest of working class Europe.
HEADROT: There also seems like a lot of racist, sexist stuff coming out of the States, whereas you don’t tend to get that from, say, Italy, or wherever.
JOHN: Yeah.
KALV: It’s strange.
HEADROT: It’s like, Wehrmacht or whatever, with tracks like “Go Home” & stuff like that, it’s pretty dangerous?
KALV: Yeah, it’s definitely dangerous.
JOHN: It’s a load of rubbish.
KALV: Cos people accept it on a musical value system whereby “Oh, the music shreds, so it’s gotta be good”, but the underlying attitudes are just bad. It might as well be Whitesnake or something.
JOHN: That’s another thing, it’s the same people who are slagging us donw who, the next day, are buying the Wehrmacht album, the ones who are calling us rockstars.
KALV: Yeah, that’s right.
JOHN: I mean, what the fuck, take a look at yourselves, & if you’re buying a Wehrmacht album, then …
KALV: I mean, compared to Wehrmacht, we’re fucking small fish compared to a big nasty whale y’know.
JOHN: It’s a case of wrong priorities.
HEADROT: It’s the same with people who buy SOD stuff, like the MOD thing. It’s like something, something like, Noise wouldn’t touch some record, but they touched the MOD thing simply because they couldn’t hear the lyrics when they were going to license it, so they excused themselves from the sexist, racist lyrics by saying they couldn’t hear them, & were just going by the music quality. Would you expect that from a HC label? If SOD/MOD were put out by a HC label, would you expect “Oh, we can’t hear the words, therefore we don’t really care about what they’re singing about”? I mean, I’m surprised that Dig’s got anything to do with Wehrmacht as well … (cackle of laughter)
JOHN: Good question!
HEADROT: I find it strange, cos he must’ve read the lyrics to “Go Home” as well …
KALV: Oh, he knows what he’s dealing with, he’s just trying to excuse them for it, saying “Well they’re just a bunch of naïve little kids really, & they mean well but they’re just coming out with stuff like this cos they think it’s funny, which it’s not”.
HEADROT: Do you think he believes what … cos it seems to me that Wehrmacht are into what they say, if you read the lyrics to “Go ome”, they do seriously ….
JOHN: I think they actually mean it.
KALV: Yeah.
HEADROT: I think it’s different with SOD.
KALV: I can imagine them (Wehrmacht) to be a real bunch of dickhead metallers who sit around getting drunk, hanging round in gangs, & talking shit a lot, & it shows in their music. You can imagine what sort of people they are.
HEADROT: But do you think they’re any different from SOD, do you think SOD believe in what they say, or rather, Billy Milano?
JOHN: I totally agree …
KALV: Especially Milano …
JOHN: Yeah.
KALV: It’s definitely Milano I think.
JOHN: But I think the other 3 just don’t give a fuck anyway.
KALV: Yeah.
HEADROT: It’s like …. With the MOD LP, the drummer got kicked out just afterwards. He got his name on the back, but there was a statement from Milano in the press saying he was kicked out because he didn’t take it seriously. I’m in two minds to whether SOD mean & believe in what they say, or whether they’re just doing a Mykel Board kind of thing, just doing it to wind people up.
KALV: I think part of it is that, but I think that Milano actually believes in most of what he’s writing.
JOHN: Wind up stuff is like … there’s ways of winding people up, good & bad.
KALV: Nig Heist & The Meatmen, that’s wind up stuff that you can see it for the wind up it is, but I think SOD is just dangerous.
JOHN: Yeah, it’s like what I’ve said before, Bernard Manning winds people up, but he doesn’t do it in a constructive way, whereas Ben Elton winds people up in a completely constructive way, without going back to racist, sexist stereotypes.
KALV: Ask Baz a question ….
HEADROT: Um Baz, what interests lie outside the band?
JOHN: Don’t answer that one Baz …tell lies …
BAZ: Not a lot really. I don’t know, I don’t do much else really. (laughter)
BAZ: Just telling the truth ….
HEADROT: How about you Steve?
STEVE: Just the band ..
JOHN & KALV: He mows the lawn …. (laughter)
KALV: He plays the organ grinder on the sly …
STEVE: Yeah, right …
JOHN: (laughing) Oh god!
HEADROT: What about you two then?
STEVE: Don’t ask Kalv, he’ll get his black book out & show you … he’s got a big list. (laughter)
KAL: Ooh, wasted! Um … listen to music, we’re hoping to, me, John & Trev, to start up a record label soon. We want to licence good foreign bands up first, eventually get something in the bank (have I got this right Kalv? Chris) hopefully. Record good English bands, well, put our our LP first because that’s something we wanna do soon.
HEADROT: And what about you John?
JOHN: Working on “Future-Now”, HERESY takes up a lot of our time …
KALV: Yeah, it’s the predominant thing for me as a band …
JOHN: Yeah, it’s like the main thing in our lives is this band. Apart from that & the magazine, there’s not a lot of time for anything else. Going to gigs …. All the regular things to do with music really …
KALV: Most of what we do is tied in with the HC music scene.
HEADROT: So what do you think of the production of your records, cos I don’t think you quite click it in the studio ….
KALV: Yeah, I know.
HEADROT: Apart from the Peel session. I thought the Peel session was really good, but everything else is … the LP sounds tinny & stuff …
KALV: Tinny? I think the LP sounds powerful & the guitar sounds tinny. It’s just ….
STEVE: The guitar sounds shit.
KALV: It’s just, it sounds very dated for us. And the flexi, our first flexi that sounds tinny, it’s just …
HEADROT: And so are you going to produce yourselves or are you gonna let other people do it?
KALV: Over the years I think we’ve improved slightly, got more of an idea every time we go into the studio, & I think, with any luck, with this next one when we do the LP, we’ll pretty much get it right. Also, it makes a change have Baz in the band, who’s actually interested in getting a good guitar sound, whereas … he’s actually gone out of his way to get all the right equipment, & he knows what he wants, whereas with Reevsy & Mitch who’d just turn up on the day sort of & think “Well, cos this is good equipment, we’ll immediately get a good sound”, it takes a lot more than that, you have to spend a lot of time at it.
HEADROT: So you’re 100% into what you do, then?
ALL: Yeah, definitely.
HEADROT: And what about sleeve work, cos the LP sleeve work is pretty patchy …
JOHN: At that particular point … it was like thrown together, really rushed.
STEVE: We just had to get it out.
KALV: There were so many things happening, Reevsy left the baned, we were without a guitarist, this album had to come out, it was dated material, John had only just done the vocals to it which were Reevsy’s lyrics, & I don’t know, it was thrown together. A lot of it was in Dig’s hands as well.
JOHN: It was all done by Dig, the sleeve.
HEADROT: Could you have stopped it coming out?
JOHN: We didn’t actually want it to stop coming out, but looking back now, we should’ve worked at it a lot more. It’s like, not a lot we could do at the time, so that’s why we want to spend time getting the next one actually a reflection of the band as a change. We’ll be in complete control of it.
HEADROT: So do you think you’ve progressed a lot more?
KALV: Oh, I think we’ve progressed 200% on the last things we’ve done. I mean, the Peel session is like, an approach to the way we’re going.
HEADROT: Have you got any different attitudes, & how do you compromise within those attitudes?
KALV: How do you mean? Attitudes towards what?
HEADROT: Towards the band, music, & different ideals? Does politics come into the band a lot?
KALV: We have conflicts between us you mean?
HEADROT: Yeah.
KALV: I don’t think so …
JOHN: Not that much, we have slight disagreements sometimes.
KALV: I think the disagreements we have are pretty minor compared to disagreements that go on in other bands.
JOHN: We’ve all got pretty much the same ideas on the way we go as a band.
HEADROT: So no one’s arguing over politics or whatever?
JOHN: No, no.
HEADROT: Does politics come into it a lot, or …?
KALV: We’re all vegetarians, believe in basic practical common sense. I don’t know, there’s not a lot to argue about really. We don’t agree about main stream politics if that’s what you mean.
HEADROT: So there’s not one person more outspoken than the rest, you can accept a balance?
JOHN: It’s like no-one does something for the band before consulting the rest of the band, if you know what I mean. Sometimes it happens that way because we haven’t got that much co-ordination, like running all over the place ….
KALV: Like last night for instance. The gig was £2.50. We got there, I’d ike spoke to this guy on the phone, we’ve never had to deal with people from an indie/alternative background, always dealt with HC kids, so I just immediately presumed the gig would be cheap. When we got there, saw it was £2.50 & I thought “well fucking hell” … it’s just like, realising now, things like the Peel session, different people interested in us, so, in the future we’re
Gonna have to make sure we know what we’re getting ourselves into.
HEADROT: And would you play anymore gigs like the DRI gig, for that kind of money?
KALV: I don’t think £3 is that excessive for a big American band ….
HEADROT: Oh right, cos it was dearer in other places …
KALV: We’d have to look at things a lot closer the next time if we did it, but the DRI gig was a real mistake.
JOHN: Yeah, I think so.
HEADROT: But do you think that if you played more gigs like that, you’d be treated exactly the same? If you’re treated badly at the DRI gig, they’re just gonna say “Well, they’re the support band, there’re nothing anyway”?
JOHN: It’s that old rock’n’roll syndrome. Firstly, we never got the same feeling from them gigs. We never walk off the stage pleased, as we do with the gigs we like to do. We do them, & we always regret them, so from now on if we’re offered any more of them gigs, we’ll take a careful look at them before we say yes.
KALV: Yeah, definitely.
HEADROT: So how do you think you can improve HERESY in the future, what are your flaws and stuff?
KALV: There’s very few flaws, just gigs like that we’ve gotta think a little more closely about … & a good guitar sound.
HEADROT: Right, the last question, what embarrassing moments have HERESY had?
STEVE: Kalv, when he’s pissed on stage. (laughter)
KALV: I’m never really pissed on stage.
STEVE: Oh right, yeah.
JOHN: Kalv will tell you about his bass sound in Berlin.
STEVE: He was doing a sound check for an hour, wasn’t he? (laughter)
KALV: These are the sort of things we take the piss out of each other about y’see. It’s just little ‘in the band’ jokes that most people will find hard to understand reading them on paper.
JOHN: Cos we’re completely sarcastic bastards.
HEADROT: Do you have any guilty secrets then, or do you all know what’s going on with each other & that? (laughter)
JOHN: Prett much so.
(Some slanderous comment about Kalv is said, though I can’t quite make it out)
JOHN: Steve would like to tell you about his dad.
STEVE: Oh yeah, I will.
HEADROT: Go on then.
STEVE: No, he’s a great bloke my dad.
KALV: They ow the lawn together.
(LAUGHTER).

HELLSHOCK - SHADOW OF THE AFTERWORLD CD

2007-11-21T05:05:00.000-08:00

HELLSHOCK - SHADOW OF THE AFTERWORLD CD (CAHRECS059)

A cold wind blows, dark empty streets - flickering lights, today's news already blowing amongst the rubbish - now forgotten and resigned to the past. A town in any country, dark, lonely, void of feelings - be it love or humanity. Everyday life is no longer restricted to nightmares or horror novels. The anti-dote to this ragged world is the thundering charge that is HELLSHOCK.

Slowly, but surely, breaking and entering your subconscious determinded to revive you from your living nightmare.

'Shadow Of The Afterworld' is a stunning masterpiece of modern crust at it's best. Awesome recording and song quality from all those involved - the combined cv of these guys proves they know what they are doing and they do it well. For the most part it is medium paced, that alternates between fast and slow - conjuring up many a mood, atmosphere and feeling. Mettalic riffage is the order of the day, big rhythmic bass licks and guttural vox and industrial strength drumming pounding away.

'A Fathom Unknown' has a great intro, very soft and melancholy. But rips into the a burst of crust that they are well known for. 'No Dawn In Sight' has a perfect mix of AMEBIX and DISCHARGE - fast and awesome.

From the home of modern d-beat/crust, that is Portland, HELLSHOCK have been around for a few years. In the time they have perfected an already brutal sound and ooze so much energy. They have already gathered a legion of fans worldwide, drapped in filthy black clothes and hearts of gold. If you already love AMEBIX, DEVIATED INSTINCT, DISCHARGE, AXEGRINDER, CRUCIFIX, MOTORHEAD, then add HELLSHOCK to your list of must haves.

Really excellent front cover, looks like a Mid piece, graphics etc.

Where dispensible lives are ruled by consumer greed - WELCOME TO THE VOID.

$9.00 ppd USA and $14.00 ppd world.

contact: orders@cahrecords.com

www.cahrecords.com

CRIMES AGAINST HUMANITY RECORDS

2007-11-21T05:04:00.001-08:00

DIRECTHIT ZINE PAPER VERSION

2007-11-13T12:36:00.000-08:00

THIS IS #1 OF DIRECT HIT, WHICH INCLUDES THE URKO/ACTIVE MINDS - SPLIT 7".

I still have copies of the 7" on green or black vinyl, although less than 100 of each. So if you are interested, it costs £4 post paid in the UK or $10 post paid elsewhere. Yes, postage rates suck.

DIRTY MONEY

2007-11-07T04:23:00.000-08:00

DIRTY MONEY - NO ESCAPING THIS MCD (D&G031)

Much like their label mates below, Dealt With It, DIRTY MONEY have the same musical influences - BREAKDOWN, CROMAGS etc. That's pretty much where it ends, these guys are definitely more faster and apart from the very odd breakdown - they keep the momentum from start to finish and this a plus is my book. The 7" version of this has 4 songs on it, this being the MCD it has an extra 3 from their 2006 demo - all of which are killer and no filler. Angry music for an apathetic world. If society fills you with lies, corruption and no hope how else are you going to feel? Yeah, angry and it's all here in green and black. I'm surprised more people in society are not like this. Quality recording where the power and fury just bleed from my stereo. Go get it, listen to it and then go and fuck up some shit out there.

DEAD AND GONE RECORDS, 17 DRIVER STREET, SHEFFIELD, S13 9WP, UK.

http://www.deadandgonerecords.com/

DEAL WITH IT

2007-11-06T04:44:00.000-08:00

DEAL WITH IT - WORLD COMING DOWN 7" & MCD (D&G 028)

From the ashes of Fifty On Red and What Hope Remains, up rises the phoenix that is DEAL WITH IT - coming at you like a knuckleduster in the face. Medium paced, with huge hard and heavy pumping bass strokes and equally ferocious drumming, along with pitbull barked vocals and metallic riffage. Stomping along at a steady, but earnest, medium pace that throws a curve ball every now and again - ups a gear and all hell breaks loose. They are a straightedge band, which is definitely fine by me, but really only one song deals with this topic - so if you are anti-edge and like heavy music - hell you gotta give them a chance. I particularly like the lyrics and they get full respect from me by using the word 'plonkers' in the song "Flowers In The Attic" (great lyrics alround) - because lets face it the world is full of bloody plonkers. I wonder who the song 'Dead Weight' is about, it's got some great chunky bass licks at the start. "Last Days" is the sXe song, but if you read it - then you'll understand why. I think it's great that a band is not afraid to speak their mind, in a scene that stinks of too much hairspary/gel these days, full of passion and energy. If you are a vinyl nut, hurry up as stocks are running low. The MCD contains 4 songs from their 2006 demo, you can definitely notice their progress and the demo tracks are ace. Have you got a thing for BREAKDOWN, CROMAGS, LEEWAY, NO WARNING etc? Then hit it up with some more heavyness.

DEAD AND GONE RECORDS, 17 DRIVER STREET, SHEFFIELD, S13 9WP, UK.

http://www.deadandgonerecords.com/

GERIATRIC UNIT

2007-11-05T04:19:00.001-08:00

GERIATRIC UNIT - LIFE HALF OVER EP CD (BTRC020)

Pure excitement, joy and glee errupted from me when I opened the packed and set eyes on this baby. I already have their 'Nuclear Accidents' CD and it has done some serious mileage on my CD player, this new one will definitely go down the same road. So in case you don't know, this band's CV boasts some og the greatest bands ever to exist: HERESY, FORCE FED, HARD TO SWALLOW, JOHN HOLMES etc, there's more pedigree in there than any old can of dog food. AND IT SHOWS. 10 songs of some best songs currently being put out under the guise of hardcore. Pure adrenalin induced, no frills, incendiary hardcore - made by the kids - played by these old fucks (ha, ha). Ripping 80's styled hardcore, done by 80's kids - yeah, they were there, they played it - christ they invented some of the best riffage from that time. This just makes me want to go completely nuts, it's amazing and I have to keep playing it again and again - that's what a good hardcore record is all about. As with their name they have a mean average of probably 200, so it's OLD-FA(S)T-LOUD! They are old, angry and jaded, but unlike a lot of the fuckers from back then - these guys are still hardcore and they have survived, albeit humour intact. A life half over and if we are lucky, we'll get plenty more from them before they kick the bucket. If you dig HERESY, POISON IDEA, FIX, NECROS, MOB 47, early GANG GREEN etc, then you will want this - it shreds. Also available on vinyl too.

http://www.bosstuneage.com/

WWW.MYSPACE.COM/GERIATRICUNIT

PUNK PEN PALS

2007-10-30T08:30:00.001-07:00

This is for who wish to write letters to each other. An art form that has disappeared over the years. Most people only seem to write when buying records etc. So, just write a letter about yourself, your feelings, interests etc - just to write letters and make friends.

All you have to do is make a comment, with your name and address, along with a basic likes/interests etc to get the ball rolling.

DIRECTHIT DISTRO

2007-10-30T07:25:00.001-07:00

DIRECT HIT DISTRO

12" (£7 plus postage)
ONWARD - These Words Still Pray
MAINSTRIKE - A Quest For Answers
MAINSTRIKE - No Passing Phase
EYEBALL - More Days To Come
SUBJECT TO CHANGE - What Tomorrow Brings
NO DENIAL - Soundtrack Of Decline
V/A - ONE TRACK MIND
THE DEFENSE - From The Start
ABUSIVE ACTION - S/T

7" (all £3 plus postage)
MAINSTRIKE - Times Still Here
RECTIFY - By Your Side
SPORTSWEAR - Keep It Together
TIEBREAK - Stand Hard 1998
SPORTSWEAR - It Runs Deep
TRUE BLUE - The Ice
INSURANCE RISK - How Much More
OVER THE LINE - Demo
MAINSTRIKE - S/T
ANOTHER REASON - Take Control
DAMAGE CONTROL - Can't Keep Us Down
DEATH OR GLORY - Your Choice
BLACK FRIDAY '29 - Blackout
KNOW YOUR ENEMY - S/T
AFTERLIFE - Enter The Dragon
ENFORCER - Trail Of Darkness
DOWNSLIDE - S/T
DOWNSLIDE / KNOW YOUR ENEMY - SPLIT
STRIKE FIRST - Chant Down Babyloon
GET THE MOST - Common Goals
GET THE MOST - Moment In Time
ONE VOICE - Break Free
COMMITMENT CREW - Hisingen

VOICE OF A GENERATION #2 zine & SPORTSWEAR 7" £4 plus postage.

I WANT TO SELL YOUR STUFF TOO, CONTACT ME.

TRAP THEM - SEANCE PRIME CD

2007-10-23T04:31:00.001-07:00

TRAP THEM - SEANCE PRIME CD (DE166)

The cover has a skull on the front cover, but hell talk about an eerie beauty it has to it. Coupled with mixture of colours - black, white, green, purple (very Misfits) - really nice. I can only imagine a vinyl version of this (if it exists) being totally stunning. And yes, the music is equally and beautifully devastating as they artwork. 'Seance Prime' is a thunderbolt of articulated noise, that will knock you down, again and again while you breathlessly try to fight a losing battle. Give up, just let TRAP THEM shroud you in a blanket of some of the fericious and best combination of crust, d-beat, metal, hardcore, noise you are going to hear in a long time. Recorded on an 8 track analog tape, definitely adds an organic sound to it, which definitely draws you into the realness of it all. Awesome sound quality, layout, artwork etc. The lyrics are like the continuation of a story, with an apocalyptic theme riding through it. Their 3rd release, and I for one hope it won't be their last.

www.deathwishinc.com

www.myspace.com/trapthem

THE GREAT DECEIVER - LIFE IS WASTED ON THE LIVING

2007-10-22T04:18:00.000-07:00

THE GREAT DECEIVER - LIFE IS WASTED ON THE LIVING CD (DEATHWISH)

The Great Deceiver is one of those bands that I look forward to hearing, especially new stuff considering their previous stuff appeared on the likes of Trustkill and Peaceville. If you've got the likes of Disfear, At The Gates etc in your cv, well then one can't not like you. 12 songs of solid, rhythmic and excellent songs. Hook laden industrial riffage is the order of the day, backed up with some deep, dark bellowed vocals and a heavy pumping sound that would make anyones heart burst with sure anticipation. Add to that some thundering metal licks and the intensity of hardcore and this is a pretty fantastic CD, the musicians confidently convey their darkest thoughts through their music. Their outlook and lyrics are pretty dark too. Take the likes of PRONG, HELMET, KILLING JOKE, FROM ASHES RISE, KYLSEA, SKITSYSTEM etc. A huge CD that will appeal to the crusties, metallers and punks out there.

http://www.deathwishinc.com/

http://www.thegreatdeceiver.com/

BITTER END - CLIMATE OF FEAR

2007-10-17T04:37:00.001-07:00

BITTER END - CLIMATE OF FEAR CD (MAL 029)

This went completely over my head the first time I listened to it. But a few listens later and in a more laid back environment I was able to get into it more. Now don't get me wrong, this doesn't exactly make me want to run around in a pit, but more of moving my body in appreciation - but chilled at the same time. It's quite heavy, with their metallic hardcore attack. While there are some fast riffage and pummeling blast beats, it's mostly slow to mid-tempo - but played well and you can get into it. Well you have no choice. Just think of CRO MAGS, KILLING TIME, BREAKDOWN, TERROR, but cunningly enough and not really sounding like them they do create their own atmosphere in a way that NEUROSIS do to their own stuff. With a title like 'Climate Of Fear' you would be right in thinking that the songs are based on current society and how fucked up we are. The lyrics protray how certain individuals/groups deal with modern society or try to escape from it - be it religion, mad vigilantes etc, who either try to change society to their beliefs or run away from it.

WWW.MALFUNCTIONRECORDS.COM

NOT JUST WORDS RECORDS

2007-10-16T04:53:00.001-07:00

LOSING STREAK - CRACKED 7"

2007-10-16T04:37:00.000-07:00

LOSING STREAK - CRACKED 7" (NJW - 023)

Wow, what's with all these cool Belgian bands these days. Seems like they got over the metalcore of the 90's and I for one am more than happy about that. LOSTING STREAK are another band that make me want to jump all around the place, something all the bands on NJW records are affecting me. This is only good. Another 7" of awesome quality, in the recording and quality of songs - nothing like a great 7" (my favourite format) to clear off the cowbwebs. A mixture of old an new, brewing the likes of OUTBREAK, SHARK ATTACK and their own charm and delivering it second to none. Another fine example of playing your hearts out, positive and powerful. Just like their label mates Damaged Goods, LOSING STREAK pack a punch of great hardcore. Their lyrics are inspiring and full of plenty of sense. They are straightedge and not afraid to let you know, but hey, not in a we're better than you way - just because they are. Neat packaging too, and looking at the photos of them it makes wish they were the sound track to my pit.

NOT JUST WORDS RECORDS, DE KLING 4, 8651 CK IJLST, THE NETHERLANDS.

WWW.NJWRECORDS.COM

DAMAGED GOODS - S/T 7"

2007-10-16T04:21:00.001-07:00

DAMAGED GOODS - S/T 7" (NJW - 022)
Ouch!!!! Wow, did that hit me. Talk about an impressive 7", consisting of most of the things that make this little platter awesome for me. Just playing this record you can tell that these four Belgian dudes love what they are doing with a passion and do it well to boot. 6 songs, that are fast, upbeat and sound totally brilliant due to the great sound - something that I totally appreciate when bands make an effort to have a good sound. Like for all they know this could be the only time that they will have to make their mark, and they certainly have. Having said that, I hope this will not be the last we hear from them because listening to this excites the hell of me and only makes me want to hear more and more by them - I can only imagine that they totally shred live. Sound wise, they harken back to the bad old days, when hardcore stuck out like a sore thumb and was able to strip off any false pretences. That's what you get with DAMAGED GOODS, hard, fast, pissed off hardcore - just the way I like it. Incorporating the NEGATIVE APPROACH, VERBAL ABUSE vibe, making it their own and letting all hell break loose. Feeling alienated and out of step? They guys certainly are and here it is in black in white - no emo shit here - just in your face anger; not jock shit - good stuff. The artwork reminds me of the days of Excel, old Suicial Tendencies and you could easily imagine it on some punk kids deck. A record definitely worthy of your attention.

NOT JUST WORDS RECORDS, DE KLING 4, 8651 CK IJLST, THE NETHERLANDS.
WWW.NJWRECORDS.COM

SUBHUMANS - INTERNAL RIOT

2007-10-11T04:44:00.001-07:00

SUBHUMANS - INTERNAL RIOT CD (BLUURG FISH 50)

Back with their first studio LP in 9 years, I for one never thought I'd hear another one again - so bless their cotton socks for making such a great release. I was a little nervous about this before I played it, but from the first note of their already famous ska/dub punk and Dick's familiar voice I knew I was going to welcome home the boys with open arms. 13 songs here and not one let down, I've listened to it over a dozen times and it still has play me again written all over it. They still have the urgency of 'The Day The Country Died' and the laid back scope of 'World Apart'. As always, their songs are upbeat, catchy, make you want to dance and have had me humming them for days on end - just like they've never been away. They sound as fresh as they did all those years ago, if some things taste better with a little age - Subhumans definitely do. And with the return of the band, I always lookforward to the mighty wordsmith that is Dick Lucas, easily one of the best lyricists to ever grace the punk scene. Tongue twisting arrangements that ride parallel to the thumping beats and skanking tunes, pure gold. He makes the most mundane subjects sound poetic, but with plenty of food for thought. He thought society was pretty fucked up when the Subumans were first going, things have definitely got worse in those years and he rightly thinks it's totally looney. "Internal Riot", "Point Of View", "This Is Not An Advert" and many more will have move you to dance, sing, shake you angry fists (probably with a smile on your face) and that readybreak glow knowing that the Subhumans are back and return with an absolutely brilliant new release. It's available on CD and vinyl, buy it and support musicians.

http://www.citizenfish.com/

WWW.MYSPACE.COM/SUBHUMANSUK

http://www.southern.net/

PROFANE EXISTENCE VR SERIES

2007-10-10T05:20:00.001-07:00

https://www.profaneexistence.com/

V / A - ANTI-CAPITALISM

2007-10-10T05:01:00.000-07:00

V/A - ANTI-CAPITALISM CD (OVER IIIVP CD)

Here we have the fourth is a series of Anarcho-punk compilations. As with the previous releases, it focuses on anarcho punk bands from the 80's, mainly early 80's at that. When listening to this, the thing that stands out is how different all the bands are and the variety of sounds from start to finish. Being a casualty from that period myself, I remember most of the bands from the various records, tapes, zines I got back then - so it's a good trip down memory lane - if you are new to it all well it will give you a bit of an idea of some of the stuff that was happening back then. All recording are excellent and the whole cd has a punchy upbeat vibe to it, considering what the bands were singing. Unfortunately no lyrics are included, but there is a bio on all the bands, with a picture of each. Bands on it are: CONFLICT, LIVING LEGENDS, CRASS, ATOMIC FILTH, ANARKA AND POPPY, D&V, COLD WAR, LEGION OF PARASITES, EPILEPTICS, RUDIMENTARY PENI, TEARS OF DESTRUCTION, DANBERT NOBACON, KULTURKAMPF, DOMINANT PATRI, CRAVATS, SLAUGHTER OF THE INNOCENT, FREEBORN, CULTURE SHOCK, ANATHEMA, COMMITTEE, NIC TOCZEK, HEX and ANTI-SECT. A good CD to listen to while reading the Day The Country Died book.

OVERGROUND RECORDS, PO BOX INW, NEWCASTLE UPON TYNE, NE99 INW, UK.

WWW.OVERGROUNDRECORDS.CO.UK

RIPCORD

2007-09-26T04:34:00.001-07:00

RIPCORD – LIVE AT PARKHOF ALKMAAR HOLLAND 18/09/1988 CD (BTRCRS020)
What can be said about Ripcord, that hasn’t been said before? Just one of my all time favourite bands and are totally legendary. The made some of the best hardcore songs that ever existed and all the favourites are here. All recorded live, bursting with power and really awesome quality too, covering various songs from their back catalogue of releases. The package is like that of a little LP, no plastic tray, insert like an LP insert – which is really excellent. Personally I think all CDs should be packaged something like this – they’d take up less space, cut down on unnecessary resources being used. A regular CD booklet still fits in too, so they could still be made as I like them. Anyway, it’s also available on coloured 10”. Lee Dorian guests on vocals for Walls (Siege), which is a wall of noise. This release is mandatory, whether you like vinyl or CDs – take your pick.
BOSS TUNEAGE RECORDS, PO BOX SANDY 74, SANDY, BEDS, SG19 2WB, UK.
http://www.bosstuneage.com/

TRAMPLE

2007-09-25T05:12:00.001-07:00

THE DEFENSE

2007-09-25T04:45:00.000-07:00

THE DEFENSE – FROM THE START CD (CRUCIAL RESPONSE 62)
How can something be hard, yet beautiful at the same time? I can only blame this Spanish band The Defense. Because, the songs inside this 10 track CD are – it’s also available as a vinyl LP too. They’ve got a ripping youth-crew /posi-core sound, which is very upbeat and full of energy. But most of the songs have truly mood catching intros, which just jump into a fast current of ripping hardcore. The song that stands out the most for me is ‘From The Start’ which is a pretty amazing song, great intro, beats and complimentary lyrics. They also include ‘Supuesta Libertad’, which was originally done by REFRAINING. They definitely are not afraid to put their hearts into it, especially the last song ‘Out Of Place’, which is deadly tuneful, melodic and gutsy. Really good lyrics, loads of action packed photos and just a good vibe all-round. For those who totally love VISION, TURNING POINT, YOUTH OF TODAY, MAINSTRIKE. Continuing the Crucial Response Records legacy, of releasing fresh, vibrant and invigorating bands, that will definitely keep you on your toes.
CRUCIAL RESPONSE RECORDS, KAISERSFELD 98, 46047 OBERHAUSEN, GERMANY.
http://www.crucialresponse.com/

DEATH IS NOT GLAMOROUS

2007-09-24T04:38:00.000-07:00

DEATH IS NOT GLAMOROUS – UNDERCURRENTS CD (D&G025)
This has been out a while, but is still available and they are a great band, so hey. From Oslo, Norway, a country that has given birth to many great and wonderful bands and DEATH IS NOT GLAMOROUS follows suit with this inspiring tradition. 6 songs (1 extra song, compared to the 7” release of it) of fast, upbeat, catchy and tuneful hardcore. They are pretty melodic, in a good way, but the extra crunch in their playing gives them a more hardcore vibe. The vocals pretty much set them apart from a lot of hardcore bands, in that the really good and sung with passion. I just keep thinking of 7 SECONDS, SHELTER, TURNING POINT. Along with the wonderful tunes are thoughtful lyrics, that more than anything give inspiration to get up, be yourself and not worry what others think. Absolutely fabulous.
DEAD AND GONE RECORDS, 17 DRIVER STREET, SHEFFIELD, S13 9WP, ENGLAND.
http://www.deadandgonerecords.com/

NASHGUL

2007-09-24T04:37:00.000-07:00

NASHGUL – HUMANICIDIO CD (CAHRECS058)
A 33 track CD of thunderous grind-core, from this Spanish band, who sure know how to blast those beats. It compiles their splits from 2003 to 2006, namely split 7”s with SEWN SHUT, FROM THEASHES, WORLD FALL DOWN and the split 12” with ANTIHERO and what a combination it is. From the first riff, until the last there is no let up, or let downs for that matter. Super sonic speeds, keep in time with an awesome drummer, who knows his blast beats from his drum rolls. Manic riffage parallel to the drumming, that break downs into chunky bass filled beats that conjures up some of the best grind I’ve heard this side of the moon. They have a single vocalist, but the bellowed tortured screams alternate between gruff roars, to high painful screams and barking cries. Just think of EXTREME NOISE TERROR vocals in their 1980’s period. Musically, and I know it’s an old nutshell, but NAPALM DEATH’s SCUM would be a good starting point, coupled with more early Earache noise mongers. Seriously awesome sound quality and despite taken from 4 different releases, they keep the quality and intensity throughout. Lyrically, it’s a look at how fucked up the human race it; be it killing the planet, enslaving our souls to the daily grind of working etc. If that’s not enough, there is a video too.
Each CD is $10.00 ppd USA and $15.00 world.
CRIMES AGAINST HUMANITY RECORDS, PO BOX 1421, EAU CLAIRE, WI 54702, USA.
http://www.cahrecords.com/

NEGATIVE APPROACH/NECROS

2007-09-20T13:34:00.001-07:00

INSTIGATORS

2007-09-20T13:33:00.001-07:00

MINOR THREAT etc

2007-09-20T13:29:00.001-07:00

NOTHING DONE

2007-09-20T05:56:00.000-07:00

NOTHING DONE – EVERYBODY KNOWS CD (NJW021)
Their second full length, a pretty impressive follow up to their previous full length ‘Powertrip’, from Holland’s Nothing Done. Progression is a good word when it comes to these guys. No they haven’t changed all that much, but they have just got tighter and have crafted a bunch of high adrenalin soaked hardcore tunes, full of melody, power and speed when it’s needed. 10 beauties of sweat drenched songs where they give a nod to influences such as the straight ahead power of Negative Approach and early Black Flag, essential tuneful elements of Circle Jerks and Minor Threat. Plus quirky riffage, in small doses, ala Minutemen and Victims Family, but I don’t really need any references to dig this release – more just a pointer for those reading this. Every song is tight, catchy and a big plus in my book – memorable. Top notch hardcore, how I like it and I’m glad Nothing Done have proved to me that the art of song writing in hardcore bands is definitely not dead. Listening to their song ‘Cardiac Arrest’ makes me feel like they are having one. Their lyrics are straight forward, but in an open personal way. All I can say is that Nothing Done are definitely one of the most exciting bands going these days. The CD version has a complete video of their gig, from Manchester 6/4/06. The vinyl is pressed on light blue vinyl.
NOT JUST WORDS RECORDS, DE KLING 4, 8651 CK LJLST, THE NETHERLANDS.

INFEST

2007-09-19T12:39:00.000-07:00

HERESY

2007-09-19T12:34:00.001-07:00

old pics: PINK TURDS IN SPACE, FUAL

2007-05-14T14:02:00.000-07:00

reviews1

2007-03-22T12:03:00.000-07:00

SICK TERROR/MIGRA VIOLENTA - SPLIT 7"
Absolutely stunning split 7" from these two, long standing, South American bands. Both have a host of releases already behind them and this new 7" just cements how awesomely brilliant they are and how essential they are to the world wide international DIY scene. SICK TERROR, total blast beat grind/hardcore, in the vein of DROP DEAD and early NAPALM DEATH and a nod towards INFEST/MONSTER X. Really stunning heavy bass licks, tommy gun drumming, fret burning riffage and totally spazzed/tortured vocals. MIGRA VIOLENTA just power through their 5 songs, from the opening rif to the dumbstruck sound as the last song finished. Super fast blastbeat drumming, ala HERESY, RIPCORD and mouth melting bass licks akin to SIEGE and again RIPCORD. All the songs are played in the same roller coaster speed at these bands, with loads of essential breakdowns, tempo changes and the odd stop go, stop go fury to give you air to breathe. It's essentially the brutal vocals the makes MIGRA VIOLENTA sound different from these bands, where they go for the gnarly roared/spat vocals ala INFEST, and when you mix all powerhouse sounds together and given the fact that this band seriously knows how to create as kick ass tune - then if you're like me you'll playing this non stop and baying for more. Floored and stunned is what I fell, in total awe. Their lyrics deal with stereotypes (lack of love amongst those within the scene?), if you want change - then you have to do the changeing and power struggles. Each band's songs are in their native language, but translated into English. It's pressed on blood rey vinyl, but as it states on the accompanying poster, "this is not a souvenir". In true co-operation, this release is a collobration between 11 labels - it was Flox of FIGHT FOR YOUR MIND who sent me this, so I'm going to use his address this time for your contact point.
FIGHT FOR YOUR MIND, FLOX SOYEZ, 47 AVENUE GILBERT ROUX, 03300 CUSSET, FRANCE.

SOCIALIZED CRUCIFIXION - 'MORE THAN A GLANCE' 7"
A pretty special and totally inspiring little ole record from this LA band. From their pictures they look like your average gutter, patch wearing crusty punk kids. But behind the cover of this book, are the hopes and dreams of 4, articulate, vegan straight edge punk kids - who are reclaiming the edge from the jocks and adding their own blend of anarchist political lyrics. 5 songs, of mid paced, but with some nice fast hooks and brutal tempo changes contained with in. A mixture of d-beat punk, metallic crust riffage and passionate anarcho punk is the order of the day. Mainly caustic female vocals, with male backing vocals add to their potent, quality sound and their anger and passion just leap out of my stereo speakers. Some catchy metallic riffage ala AMEBIX, NAUSEA, SACRILEGE, coupled with the tuneful upbeat sounds of WITCH HUNT, CONFLICT and AUS ROTTEN, make for an awesome mix and absorbing record. Their views in their lyrics is one of caring, working together, thinking for yourself and not getting trapped by the capitalist system that enslaves so man. It's also pressed on blood red vinyl, the remains of those last drop of blood went to keeping the materialist capitalist system working. Very worthy release.
NEW EDEN RECORDS, PO BOX 11055, COSTA MESA, CA 92627, USA.
WWW.NEWEDENRECORDS.COM

SEVEN GENERATIONS/GATHER - SPLIT 7"
A gathering of minds and simiar musical appreciation. Two very outspoken bands from CA, both very similar in quite a lot that is presented here. Both have two songs, play heavy chugga, chugga metallic hardcore. Which is slow to mid paced and both seem to be inspired musically be the likes of VEGAN REICH and EARTH CRISIS. I have to say SEVEN GENERATIONS have a more chunkier sound, but both bands ooze such passion you can only imagine them paring together here. Now I'll not beat around the bush, this is a genre that you either love or hate and I'll be honest when I say that both bands don't stray too far of the beaten path, but if you love it - then you'll dig this. If you don't, well there's plenty of food for thought in their lyrics. SEVEN GENERATIONS; first song is Atonement - which is their disgust at the Catholic Church, and I'm sure Christianity in general, and their destruction of cultures that differed from themselves. Their other song Rising Of The Sun - is a hatred of how capitalism is fucking up our world. GATHER; first song is New Forms, which pretty much is the go to school, work etc lifestyle, Gather question this and help you open your eyes. While Who Belongs? deals with sexism within the hardcore scene, it will make you think - hopefully it will help you change your train of thought. Both bands songs have long interesting explanations and by the time you have read them all you'll have played this record more than a few times and will definitely be hooked. It's all laid out really good, with the back page full of addresses on where you can get involved.
NEW EDEN RECORDS, PO BOX 11055, COSTA MESA, CA 92627, USA.
WWW.NEWEDENRECORDS.COM

EXTINGUISH - 'DOWNFALL OF CIVILIZATION' 7"
EXTINGUISH, from Italy (I'm guessing here, as there's no postal address), with 3 songs on this clear vinyl 7". Metalcore is the order of the day. Lots of tempo changes and a ballistic sound going down. Good lyrics, with explanations on the planet, global politics and animal rights.
NEW EDEN RECORDS, PO BOX 11055, COSTA MESA, CA 92627, USA.
WWW.NEWEDENRECORDS.COM

THE SILVER SHINE - S/T 7" (COM29)
From Hungary, The Silver Shine, have already been going 10 years - but this is my first time hearing them. The guys from this band come definitely from the hardcore / youth crew scenes, are already in other bands, but here they add a difference. A grooving, psychobilly sound, coupled with some punk and hardcore sensibilities make for an interesting release to say the least. That aside, I just keep thinking of early MISFITS, it's just the way the vocals are so sung with the music. Plus these guys sing about horror movies and such (another similiarity), along with anti drugs etc themes. So if you're a lover of sXe youth crew and the Misfits, then you're gonna love this one.
COMMITMENT RECORDS, KLEIN MUIDEN 38, 1393 RL NIGTEVECHT, THE NETHERLANDS.
WWW.COMMITMENTRECORDS.NL

reviews

2007-03-21T13:31:00.000-07:00

KISMET-HC/HAPPY BASTARDS-SPLIT 7"
This is certainly what you would call global co-operation, a band from America, one from England and a label from France. UK veterans KISMET-HC start things going and burst into a spray of fast paced frantic hardcore, I actually thought I had this on the wrong speed. But, no, right speed and the continue on their high speed chase. 3 frantic, rampant songs of pent up fury - at the hands of the scorching female vocalist Zanne - in a word brutal. Melodies? Hell no, just pure unadultered hardcore where you don't even get a chance to catch your breath. "Botox Beauty ...." is about some of societies vain arseholes who cannot cope with how they look and take the easy way out of plastic surgery, hell there's been enough TV programmes on that show how fucked up these people are. They also sing about the daily life of grafting, or not too graft, along with the fucked up bullshit of Hierachy. HAPPY BASTARDS, from America and you can tell from the front cover that they have got a sense of humour - kid with a can of beer and headphones one and a crazed happy look to the wee mites face. They happily complement their label mates, again having a female singer - who certainly has a cool voice range going from tuneful melodies, to crazed screams - yes!! Their songs are quite varied, full of tunes, great meoldies that crash into scorching hardcore riffage. They've got the best of APPLE, DIRT and NAKED AGGRESSION all rolled in one. Political songs on religion and more are the name of the game. Totally excellent 7".
FIGHT FOR YOUR MIND RECORDS, FLOX SOYEZ, 47 AVENUE GILBERT ROUX, 03300 CUSSET, FRANCE.
http://www.f-f-y-m.org
WWW.MYSPACE/FFYMRDS

BIRDS OF A FEATHER-"OUR AIM EP" CD (CRR68)
This is a re-release of the 7" that came with the zine Voice Of A Generation, plus two additional songs, one of a comp and an unreleased one. Boasting 3 ex members of the legendary Mainstrike, Birds Of A Feather shows a continuation of that band, but bringing their sound firmly up to date with plenty of modern sensibilities. "Our Aim" is saturated with catchy melodies, crushing breakdowns and loads of galloping incediary hardcore riffage. Taking cues from Youth Of Today, Wide Awake and Straight Ahead, and adding that European slang to it makes for a welcome return from these elder statesmen of the European straightedge scene. Despite their age, they're still sXe and singing about it with pride. The old age is getting a look in with the song "Make It Last" and with a lot of the other songs offering people to take a look at their lifestyles, to think what is right for them. All done in a positive way, with a caring human essence to. Worthy release.
CRUCIAL RESPONSE RECORDS, KAISERFELD 98, 46047 OBERHAUSEN, GERMANY.
WWW.CRUCIALRESPONSE.COM
WWW.MYSPACE.COM/XBIRDSOFAFEATHERX

FIGHT FOR CHANGE-"JOIN THE FIGHT" 7" (COM28)
Wow, is all I can say. I've always liked FIGHT FOR CHANGE, who hail from Portugal, and their passionate hardcore. But this, their 3rd 7" and their 2nd one with Commitment Records really does cement my love for them. Including the intro, there are 8 songs of in your face total hardcore. I'm not even going to try and compare them to anyone at all, because in an age of mediocre bands this 7" stands out head above the shoulders of so many bands out there. It's fast and furious, but each song is bursting at the seams with incdendiary melodies, scorching riffage and heart felt passion. The have a raging old school feel, with a subtle and crucial nod to some good youth crew beats and breakdowns. The cover is an eight page booklet, the cover being in full colour and as with every release on Commitment looking totally awesome. Four pages of lyrics, complete with explanations. Songs that are scene related, they are sXe, being part of the scene and not the scenery etc. All well thought out, full of sincerity. An amazing 7" and too bad they've already split up, now that is so sad. Fed up with wasting your money on tired, lifeless records - then snap this pup up and have many inspiring moments and great songs. If anyone knows if they are in any other bands please let me know.
COMMITMENT RECORDS, KLEIN MUIDEN 38, 1393 RL NIGTEVECHT, THE NETHERLANDS.
WWW.COMMITMENTRECORDS.NL
WWW.MYSPACE.COM/COMMITMENTRECORDS

END OF IT ALL-“SAME SHIT BUT DIFFERENT” CD (CAHRECS047)
Oh man, I’m just in heaven what with all these amazing Swedish bands to review, courtesy of C.A.H. and END OF IT ALL continue to totally amaze me. The more I listen to this CD, and it’s been quite a lot, I always find something new and interesting here and there. The basics of END OF IT ALL is a totally heavy, down-tuned sounding bass thumping licks and hoarse primal guttural vocals. These vocals alternate between blatantly spat roars, with pain being etched into every word. It throttles along as an average pace, but throws a curve ball every now and again with some seriously heavy breakdowns. Each song, while having a END OF IT ALL vibe going, is totally different and take different twists and turns. An atmospheric melody is soon shattered to pieces with crushing blows of doom laden feral crust. This too is sliced at times with some upbeat d-beats and manic crust core. I’ll probably be totally predictable here and cite TRAGEDY, but fucking so what, I hear people saying that it’s a played out genre – well if you think that then you haven’t heard END OF IT ALL. These guys are from Sweden, the homeland of this fabulous sound. “Same Shit But Different” shows aspects of humanity in all it’s horrible guises. You may think this is the same shit, but hell I think it’s different – just stunning.
$9.00 ppd USA, $14.00 ppd WORLD.
CRIMES AGAINST HUMANITY RECORDS, PO BOX 1421, EAU CLAIRE, WI 54702, USA. WWW.CAHRECORDS.COM